Nicole Krauss is back with her first novel in seven years. Forest Dark “interweaves the stories of two disparate individuals — an older lawyer and a young novelist — whose transcendental search leads them to the same Israeli desert.” The cover of Krauss’s new offering sports cool blue waves (dunes?) and the now-ubiquitous yellow, centering a truly killer blurb from Philip Roth. Krauss was a National Book Award and Orange Prize finalist for Great House, and The History of Love won the Saroyan Prize for International Literature. Forest Dark will be published by HarperCollins on September 12.
I heard from folks in Iowa about the visit by Jim Shepard for his “audition” for the Director spot. Shepard’s sense of humor apparently sat well with students who appreciated the levity injected into the mock workshop that Shepard conducted. The mock workshop wasn’t all funny stuff, though, and students were impressed with the thoroughness that Shepard brought to the discussion of the stories that were critiqued. The reading also went over well. Sheppard read a little from his novel Project X and a little from his collection of stories Love and Hydrogen. The reading was entertaining but also brief – by all accounts a plus for MFA candidates who doubtless sit through more and longer readings than almost anyone. For his craft talk, Shepard discussed Denis Johnson’s story “Emergency.” I’m told that Shepard’s visit was the most well-received so far, but there are also rumors going around that Shepard has reservations about taking the job, which he touched upon in this article from the Des Moines Register. Next up: final candidate, Ben Marcus.Previously: Richard Bausch, Lan Samantha Chang
At the Powells blog, Alexis writes about the awkward transition young readers make from young adult fiction to regular fiction.When the children are still young – toddlers to fifth grade, say – parents will sometimes make a point of telling us how advanced their kids are. It might go something like this: She’s only two but she’s way beyond board books; or, He’s in fourth grade but he reads at a seventh grade level. But get the kids to junior high, and suddenly the parents start to fret that their intellectually advanced kids are going to be reading books that contain “mature” content.I definitely remember this experience from my bookstores, even in permissive Los Angeles. Later on Alexis writes:That said, I often wish that I could recommend more adult books to some of my teen customers. Nothing is stopping me, I suppose, except my own anxieties about parents flipping out that a Powell’s employee exposed their high school freshman to Margaret Atwood’s sexual dystopia.When I was a teenager, discovering Kurt Vonnegut, John Irving and T.C. Boyle was a revelatory experience, and I’d certainly recommend books by them to today’s teenagers. I’ve also said in the past that classic novels can be a great bridge from young adult novels to adult novels. Sometimes, when I worked at the bookstore, I would recommend classics to precocious youngsters who had read “all” the young adult stuff. In this post from last summer, I and a few others put together a very short list of classics that kids might start with.Some might say that kids won’t be willing to read these “old” books that they associate with school, but it’s also true that kids can get a lot more out of a book they read for fun rather than for school, even if it’s the same book.
Matthew Kneale won the Whitbread Book of the Year award in 2001 for his maritime historical novel English Passengers. Now Kneale has a collection of stories out that takes a more contemporary look at traveling. Small Crimes in an Age of Abundance is about the complexities of exploring today’s world. A review in The Scotsman says that Kneale’s “‘small crimes’ are usually ones of hypocrisy from Europeans traveling in developing countries – well-intentioned souls suddenly confronted with the unpleasant realities of life among the picturesque peasants.” Here’s an excerpt from the book and here’s a little essay by Kneale about some of his more harrowing moments on the road.As Hotel Rwanda helped raise the profile of genocide in Africa, a soon to be released British novel uses a similar, fictionalized tragedy as its backdrop. Andrew Miller’s The Optimists is the story of Clem Glass, a photojournalist who returns home from Africa unable to come to terms with what he has witnessed there. A review in The Times discusses the difficulties in embarking on such a novel: “The novelist has to mediate a political event more skillfully than a journalist and the tension between subject and mediator is what should be driving the story. In The Optimists there is more awkwardness than tension.” At the Meet the Author Web site (which is filled with video interviews with authors) Miller discusses what he was trying to accomplish with the novel. Update: a review in the Guardian.James Salter has a collection of short stories coming out in April called Last Night. Publishers Weekly says, “The reserved, elegiac nature of Salter’s prose and his mannered, well-bred characters lend the collection a distanced tone, but at their best these are stirring stories, worthy additions to a formidable body of work.” That formidable body of work, by the way, includes a previous collection of stories that won a PEN/Faulkner Award in 1989, Dusk and Other Stories. For another taste of Salter, here’s his recent reminiscence of food in France from the New York Times. And here’s a story from the new book.
I don’t know why I bother to cover the One Book, One Chicago program. I haven’t seen any evidence that the locals actually read the books that are selected two times a year. As far as I can tell, on the day of the announcement, the local paper writes it up, and then nobody talks about One Book, One Chicago until six months later when they pick a new book. (I am impressed that Mayor Daley presides at all of these unveilings; it seems like a duty he would have handed off to an underling by now.) I think maybe I’m interested in it because I’m curious to see what a government bureaucracy is able to come up with in such a circumstance. Rarely do we get a recommendation from our government so simple as “read this book,” and rarely is the government called upon to advise people on a subject so ephemeral as literature. Given all of this, I think they do reasonably well with their selections – some uninspired, others quite good. And while it would be great to see people spontaneously talking about the latest pick in the trains and on the sidewalks of Chicago, it would be quite odd if that actually happened.All of this brings me to todays pick, as always, unveiled by Mayor Daley: One Day in the Life of Ivan Denisovich by Alexander Solzhenitsyn, a great selection if you ask me.
There are dozens collections of New Yorker cartoons available, and all of the will serve you well enough if you need a fix of that particular and unique brand of humor. A new collection, however, promises something a little different, the rejected cartoons: “Some were too racy, rude or rowdy. Some are too politically incorrect or too weird. A few are probably too dumb.” Those are the words of Matthew Diffee, New Yorker cartoonist and editor of the The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker. In a brief piece about the book in the LA Times Diffee writes: So most of our stuff gets rejected; and sure, some of the rejected cartoons are pretty bad and deserve to be hidden forever. But there are always a few gems that are missed, and believe me, we remember them. So I decided to collect the best rejects from a number of my friends and colleagues – all regular New Yorker cartoonists, but all of whom, like me, have nine out of 10 of their submissions rejected.I might have to check this one out.
This month the book club that I help run read and discussed Jamesland by Michelle Huneven. We had our usual raucous and meandering discussion for the first hour, but for the second hour we had a real treat: a visit from Huneven herself. Over the past couple of years I’ve had the opportunity to meet a number of authors, and I’ve also become well-versed in the sort of dynamic that occurs at a typical book reading and signing between author and reader. This was different and refreshing. She sat down with the 12 or 15 of us who were there and let us poke and prod her book and very much participated in the action. It almost reminded me of the various creative writing workshops that I took in college, except our writer was not a beshawled or behatted fellow student recounting the fictionalized tale of their high school relationships, this is a writer who is published by a highly reputable publishing house, the author of a book recently dubbed notable by the New York Times. Nonetheless, she graciously allowed us our comments and criticisms and had quite a bit to share about the book and herself. First: for those who read the book and wondered why, after Alice’s first dream-like experience with the deer in her house, when she was trying to figure out if it had been real or not, she didn’t look in her washing machine to see if the towels she used to clean up after it were there in the morning, that scene was in the original manuscript. She and her editor went back and forth trying to decide if she should leave it in or not, and then, months later, when the book came out, she had forgotten that they had removed the scene and was surprised to see it gone. Other tidbits: Huneven found that writing the character Pete came most easily, and the rest were a struggle. Jonathan Gold, author of the best LA restaurant guide there is, Counter Intelligence, was a big fan of the Helen character. Huneven is on page nine of her next book, which will include a character who is a scrapbooker. As a writer, it was heartening to meet a fellow writer who, though she is published and successful, still sees her work as a challenge and even a struggle, a fact that some writers might not admit in that situation. And, by the way, the book is a great read, and I encourage anyone out there who is looking for a good novel to pick it up.An Intriguing List or TwoMy good and old friend Hot Face has taken a cue from the New York Times and… People Magazine to compile his list of most intriguing books of the year. Since he asks for additions, I put forward Bangkok 8 by John Burdett and Gilligan’s Wake by Tom Carson, but he’s pretty much got everything else I could think of there already. Meanwhile, my buddy Andy emailed me a link to this, a new take on the year end book list.