A Very Pleasing Thing
How to Write Like a Man
“She can write like a man, they said, by which they meant, She can write.” Claire Vaye Watkins writes for Tin House about the problem that has no name. Also check out this Millions piece on sexism in the age of the internet.
●
●
Phonies
The case against The Catcher in the Rye. But what will all of the hip high school teachers assign now? (Our own Garth Risk Hallberg disagrees.)
●
●
●
●
Elmore Leonard’s Detroit
Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
●
●
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Let’s Get a Novelist to Write a Birth Scene Transmitted via Skype
This week, Allison K. Gibson looked into the “awkward but necessary role of technology in fiction,” and what it means to include it or overlook it in a given work of fiction. Similarly, what’s with the absence of birth scenes in literature?
The Sentences of one ZS.
Last night I went to see Zadie Smith read and chat at Toronto’s Harbourfront Centre. I wrote a little #LitBeat about it, which makes it officially NW day at The Millions, given today’s main page review.
●
●
doesn’t The Brief and Frightening Reign of Phil constitute a novel? It’s not an overstuffed doorstop that gets more critical attention in the States, but certainly not a short story.