“Ageists who want to fault millennials for the continual decline in literary reading are wrong to do so. Across the board, there wasn’t much considerable variation in the amount literature age groups read. Everyone is hanging out in the 39–49% range.” Is America in the midst of a literary recession? According to the National Endowment for the Arts, 2015 marked the first year in 33 cycles of research that the percentage of adults who read literature had dropped below 45% to a dismal 43%.
Recommended Reading: This Atlantic article on the life of Henning Mankell, author of the Kurt Wallander series. The author said, “When I write, I always try to reflect the reality we live in, a reality that is becoming rougher and more violent. This violence and its impact on people around it is what I try to reflect in Wallander. But reality always surpasses the poem.”
“For about 15 years, every time I had a really good dance party that went late, with people lolling around drunk and exhausted, at about 2 a.m., I would hand out paper and ask everyone to draw a vomiting cat. . . . I ended up with an incredibly thick file of drawings, some by people who went on to be published cartoonists and writers.” The New York Times reports that (Year in Reading alum) Jonathan Lethem has sold his papers to Yale University’s Beinecke Rare Book & Manuscript Library, a trove that includes comic books, manuscript drafts, notes, letters, and yes, drawings of vomiting cats. You can read our review of Lethem's Dissident Gardens, which may or may not feature hairballs in a crucial plot point, here.
Anya Ulinich, author of Petropolis, talks to World Literature Today: "What else can a person do when she gets home after a ten-hour work day - with a toothache that she can't afford to fix . . . - but fall on the couch and watch whatever is in front of her face?" . . . Lydia Davis, whose Collected Stories is just out, talks to Sarah Manguso for The Believer: "At the origin of the work there has to be strong feeling, if it’s going to be any good. Of course, that strong feeling can be a delight in language." . . . The Book Bench unearths a 1978 John Updike interview with a Croation periodical, which finds the Rabbit Angstrom author halfway through his tetralogy. . . . Edwin Frank of NYRB Classics talks to Omnivoracious, and selects his favorite books in the series (via). . . . And James Ellroy submits to interrogation at The Paris Review: "I was always thinking about how I would become a great novelist."