Over at Aeon, Jenny Davidson explores what makes a great sentence. As she puts it, “A great sentence makes you want to chew it over slowly in your mouth the first time you read it. A great sentence compels you to rehearse it again in your mind’s ear, and then again later on.” Pair with our own Michael Bourne’s essay on sentence structure for creative writers.
“The home I grew up in will never exist again, and this is why I write so much about home, perhaps. Because I lost mine,” Jesmyn Ward told Roxane Gay in an interview for The Toast. They discussed Ward’s new memoir, Men We Reaped, her writing process, and how she deals with being labeled a “black woman writer.”
Ilan Stavans’s introduction to the quadricentennial edition of Don Quixote is available on the Literary Hub website. As he explains it, the narrative is both baffling and perfect: “What I like most about Don Quixote is its imperfection. I wasn’t wrong in my teens about the sloppiness of the writing; it is just that my attitude was too pedantic. It is, unquestionably, a defective narrative. Cervantes is often criticized as a numb and careless stylist.”
The Economist digs into the stupid “debate” over Philip Roth’s International Booker win.