Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
“The contradictions of [Madeleine] L’Engle’s life offer the best insights into the complicated acrobatics we perform in the modern world in order to satisfy the competing claims of love, family, success, and ambition….While the person that emerges could be tiresome, didactic, and just plain weird—why is everyone always breaking into a hymn at her house?—she could also be tender and offered real insights into the difficulties of growing up.” There’s a new biography of the A Wrinkle In Time author out, and The New Republic examines her life’s many complexities and, well, wrinkles.
“Where does the line between the self-portrait and the selfie fall? Both Kardashian West and Kahlo are masters of the form—suggesting that perhaps there is no clear line at all.” Anyone who puts Frida and Kim together in an essay, as Sarah Murray has for The Rumpus, has our full and enthusiastic support. Also relevant: Alizah Salario‘s piece about the naming of North West.
In an essay for TriQuarterly Lia Purpura writes about Virginia Woolf‘s “moments of being” and their importance for contemporary writing. “Woolf’s particular flavor of modernism is rooted in the drive to gather, hold, and deepen moments, to make the shimmering moment of perception the base upon which “reality” rests. Her sensibility honors the fleeting, fragile instances of a person’s life.”
“There’s a deep tendency in our society to view mainstream status quo literature as having no politics, which is completely untrue. It has a very strong political value; it just happens to be conservative.” Junot Díaz drops some knowledge in an interview with Vox. Pair with his Millions Interview from a few years back.