Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
New York Magazine has an excerpt up from Zora Neale Hurston‘s long-lost manuscript, Barracoon: The Story of the Last Black Cargo, the first-person account of Cudjo Lewis, the only living survivor of the final slave ship to land in America. Barracoon will finally, 87 years later, be published next week.
When your father shows you The Wrath of Khan at a young age, you develop an appreciation for the late Leonard Nimoy, whose death scene as Spock in that film is among his most famous performances. For Jen Girdish, that appreciation led to this essay, which reflects on Nimoy, her father’s own death and the onetime ubiquity of VHS tapes.
As libraries struggle to survive in the UK, community-based lending libraries are sprouting up to fill in the gaps. The Society of Authors is threatening to take legal action against these libraries after discovering that they are not required to pay any royalties to authors.
If your interest in Siri Hustvedt’s work was piqued by Hannah Gersen’s review of The Blazing World this week, then you’ll be thrilled to learn that the Kindle version of Hustvedt’s earlier novel, Summer Without Men, is available through 4/8 for the low, low price of $3.99.
“This is minor, but I noticed a few typos. For instance, at various points on pages 144 through 148 and also on page 202, you wrote, ‘All wokr and no play makes Jack a dull boy.’ And on page 308, it’s ‘All work and no play makes Jack a dull Jack.’ If that one’s intentional, it provides a nice break from the preceding 307 pages, and the levity is a nice contrast to the monotony.” Notes on a Jack Torrance manuscript.