Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
Tuesday New Release Day: Hashimi; Torné; Leo; Bullough; Warren
The Fellowship of the Round Table
Next May, HarperCollins will publish a never before seen J. R. R. Tolkein poem, entitled The Fall of Arthur and based on Arthurian legend, not Middle-earth.
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A Rush of Blood to the Head?
An intriguing pairing: Norman Rush tackles James Ellroy‘s Blood’s A Rover in the current New York Review of Books.
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Viral Poetry
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Rosenbaum on Nabokov’s Laura
Slate’s Ron Rosenbaum talks with Brooke Gladstone of NPRs On the Media about posthumous publishing, specifically Nabokov, but also Kafka and in general.
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Confessions of a Theorist
“This is the odd space these Theory Generation novels inhabit, making them peculiar novels of ideas. Their writers have read enough Theory at a young enough age to be in continued thrall to its power; they do justice to the disorienting shock those texts once had, and perhaps still have. Yet they are old enough to ironize (tenderly or bitterly) that power.” Are you a member of the theory generation?
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Recommended Reading: “Seven Days After Father”
Essay Liu‘s essay “Seven Days After Father” has been translated by Kevin T. S. Tang for Blunderbuss Magazine and presents a daughter’s sincere grief confused by custom. “‘The funeral director forbids tears as we approach your coffin, but demands that we weep on our return. This is the movie script we’ve been handed, one we’ll be beholden to for days, and I know that many things are not mine to decide anymore. Even our tears have been planned for us.”
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Day Jobs
This week in book-related infographics, round 2: Lapham’s Quarterly takes a look at the day jobs of famous authors, among them T.S. Eliot, who was responsible for processing reports on German debt, and Charlotte Bronte, who had laundry fees deducted from her pay. Pair with our own Emily St. John Mandel‘s essay on “Working the Double Shift” and “all the strangely varied occupations that a person accumulates when the primary objective is not to establish a career, per se, but just to pay the rent while they’re working on a novel.”
Yes, Liberty Street by Dianne Warren. Readers of Brooklyn or Stoner or Alice Munro should seek out this terrific novel. The author is unknown here and the jacket is perfectly awful — pandering picture and ‘sexy’ font that literary readers would shun — but inside is a smart, surprising, and deeply moving story far more deserving than the fall’s overhyped stars.