Last year, I pointed readers to Numero Cinq, a new Canadian lit mag with a notably memorable tagline. In the latest issue, which is split into seventeen parts, Benjamin Woodard talks with Lydia Davis about her Flaubert translation, her new story collection and the art of writing while traveling. (h/t The Rumpus)
As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
Paul Thomas Anderson’s movie adaptation of Thomas Pynchon’s Inherent Vice is going to have one heck of a star-studded cast. Among the names attached to the production thus far are Joaquin Phoenix, Reese Witherspoon, Benicio Del Toro, Martin Short and Sean Penn. The film is tentatively scheduled for a 2014 release. (Bonus: Take a sneak peek at Pynchon’s forthcoming novel, Bleeding Edge.)
Fanny Trollope, Anthony’s mother, taught America a thing or two about decency and feminism: her scathing pen wrote books about the excesses of American society and its alienation of women. Over at Bloom, Cynthia Miller Coffel writes about this trailblazing woman who should be considered “the patron saint of middle aged women writers.”