“But artifacts cannot speak for themselves; the meaning of a museum is determined by acts of interpretation.” Year in Reading alumnus Vinson Cunningham writes on the new National Museum of African American History and Culture.
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
The latest installment of #LitBeat involves musings on puritanical projection, the phrases “ass-banging” and “mucus flaps” and a least one instance of the word “boner.” Our correspondent was there for The New Inquiry read along of Millions contributor Mike Thomsen’s new book, Levitate the Primate: Handjobs, Internet Dating, and Other Issues for Men.
Electric Literature—first established as a cross-platform digital publisher, but best known for its popular “Recommended Reading” tumblog—has just relaunched itself as a literary advocate built around a strong website and social channels. C0-founder Andy Hunter tells the Washington Post, “Posting a cool photo on social media gets a much greater response than text alone, even in our audience of book lovers. While at first that might seem at odds with literary content, we’ve always felt that changes in the way we communicate create opportunities to reach more people.”
Columbia once moved its twenty-two miles of books by sending them down a really, really long slide. As The Paris Review documents, in 1934, the university stocked its then-new Butler Library with a slide that ran from Low Library to the new building. (No word on whether the slide is secretly used to this day.)