“I don’t think writing the truth makes you strong by default. I think it makes you vulnerable, which in turn can make you strong.” Amy Jo Burns writes for Ploughshares about the difficulties of “Writing About Other People” and the upcoming publication of her debut memoir, Cinderland.
Another hip-hip for long-form journalism. George Packer‘s piece in the New Yorker on Richard Holbrooke and the Af-Pak War reminds one that some things — complicated geopolitical matters, for example — must be explored at length. Subscribers can read the full article in the digital edition here. Short of that, read Packer’s assessment of the McChrystal Report on his blog.
“With thirteen other diners, the two professors of English first prepared and then made their way through eight courses, including beef broth, haddock, steak, mutton, chicken, and chocolate profiteroles….The dinner was a recreation of one eaten 132 years earlier, in one of England’s grandest country houses. Among the guests at this first dinner was George Scharf, founding director of the National Portrait Gallery in London, a man not especially famous in his own day and virtually unknown in ours.” Love Among the Archives brings us into the world of George Scharf, a bachelor affectionately deemed “The Most Boring Man in the World.”
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim‘s review of Call Me Zebra.
Ahead of next week’s publication of The Girl Who Kicked the Hornet’s Nest, the battle over Stieg Larsson’s lucrative literary estate. (Thanks, Craig)
Maybe the Mayans were right about 2012. In a sign that the end times are surely nigh, MTV2 has decided to bring back Hollywood Squares “but with a modern twist.” The unfortunately-named Hip Hop Squares will feature Nick Cannon, Ghostface Killah, DJ Khaled, Lamarr Woodley and… Bam Margera?