Out this week: Barkskins by Annie Proulx; Sons and Daughters of Ease and Plenty by Ramona Ausubel; I’m Just a Person by Tig Notaro; The Course of Love by Alain de Botton; and The Girls by Emma Cline (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
Despite recently winning the Booker Prize, Howard Jacobson writes a list of his favorite novels about failure for the WSJ: “This category is, of necessity, a crowded one. Novelists are drawn to failure. Those who prosper, or expect to prosper, in the world as it is have no need to re-imagine it.”
In case you missed it: Google bought Frommer’s last August. Then in April, Google announced that it would stop printing hard-copy guidebooks, so founder Arthur Frommer bought his company back. All of this has led Doug Mack to argue that not only do we need guidebooks, but they should be part of the literary canon. “They also stand out for shaping history, if not always intentionally, because of their authoritative reputation—they have long been the best insight into that which would be otherwise unknown.”
“So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength. These people are not so much angry as terrified, with the kind of terror that makes knees tremble.” We highly recommend you read Toni Morrison‘s post-election essay for The New Yorker.
“One lie I tell is that we care, generally—human beings—about each other. We could not, I tell myself in the moments just before the night’s dark hour, create The Odyssey or King Lear or Thomas and Beulah without a profound sense of The Other. Surely, were it true this thing’s a joke, nothing more, and a cruel one at that, we’d have no Dickinson, no Yeats, no freakin’ Rumi, read by Bly, loud on an old tape deck while I shower.” Pablo Tanguay on the art of lying.
Possibly inspired by YiR alum Elizabeth McCracken, who tweeted out tips for applying to MFA programs last week, Zak Smith (the man who painted every single page of Gravity’s Rainbow) tweeted a series of tips for aspiring art critics. Among other advice, he dictates to his tweeps: “If Andy Warhol could have made it, do not write about it.”