For The New York Times, Alexandra Alter writes about girls in titles lately—Emma Cline’s The Girls, Megan Miranda’s All the Missing Girls, and Amy Schumer’s The Girl With the Lower Back Tattoo, to name a few. Pair with Michael Bourne’s Millions review of The Girls.
Girlhood
The Translator’s Tale
We don’t often stop to think about the art of literary translation, but translator Margaret Jull Costa examines the field in her Times Literary Supplement essay on The Cahiers Series. “What these fascinating Cahiers offer is an insight into what literary translators actually do, as well as fuel for the endless debate about what we mean when we talk about ‘faithful’ translation.”
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Yes.
Your dandruff falls like the fixtures within a scenic railway passing through a thousand bearded rainbows… Compliment courtesy of the Surrealist Compliment Generator! (Via.)
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Twitter Fiction
“I rather like the idea of just using a few brushstrokes to create a whole world. And, of course, with Twitter you do that, you can tell a very big story in a few lines.” Books and Arts Daily talks with Alexander McCall Smith about the new art of Twitter fiction. Pair with the full text of David Mitchell‘s Twitter story “The Right Sort,” exclusively on The Millions.
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Recession, Eh? Not Up Here
The oil boom occurring in North Dakota, Montana, and Canada’s Bakken Formation is so frantic right now that ND’s unemployment rate is only 3.4%, the lowest in the nation. “Hiring is so frantic,” writes Business Week‘s Bryan Gruley, “the McDonald’s in Dickinson [North Dakota] is offering $300 signing bonuses.”
On Ebooks on the Cheap
Chad Post of Open Letter Books writes a compelling piece on the devaluing impact of ebook pricing, and why, despite that, Open Letter not only now offers ebooks, it put them all on sale for $4.99 for the month of June.
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The Intellectuals
A look at the writer Nelson Algren, a.k.a. Lewis Brogan in Simone de Beauvoir’s The Mandarins.
“When it gets loudly, IT GETS VERY LOUD INDEED”
Have you Yanks seen BBC‘s 6-episode series cum feature film The Trip? If not, your interest will be piqued by this clip of the show’s main characters doing their best Michael Caine impressions. It’s on Netflix if you’re into laughter, merriment, and that sort of thing.