“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
Slanting Light and Seedy Motels
Conferenceness
“Can a conference really transcend its essential conferenceness?” For a conference on Geoff Dyer, that’s the essential question, and the Los Angeles Review of Books has an answer. Pair with Dyer’s Year in Reading and Janet Potter‘s review of Another Great Day at Sea.
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Gothic 101
Does your story have a ghost or monster? Does your heroine faint frequently? Then you might be in a Gothic novel. The Guardian has infographics on how tell if you’re in a Gothic novel.
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Sarah Gerard on Revisiting Unfinished Work
Sarah Gerard offers a suggestion for a small act of creation that can set your mind in order during moments of turmoil.
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“It really is a different life”
Donna Tartt has a new novel out, and with it come new interviews. At Salon, Laura Miller sits down with the author behind The Secret History.
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