“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
Slanting Light and Seedy Motels
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Dzanc Sessions
With sessions beginning this month, “The Dzanc Sessions are designed for writers who are ready to amplify, polish, and advance their writing. An eclectic platform of craft-based workshops are offered in a series of online sessions throughout the year, with specializations in fiction, nonfiction, poetry, and screenwriting.” Signing up earns you a free print book or access to their eBook club.
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Granta’s Horror Issue
Granta‘s “Horror” issue was published just in time for Halloween, and I can’t think of a better way to whet your appetite than to read Daniel Alarcón‘s “The Ground Floor.”
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A Bolaño Gallery Show
“Rockslide Sky,” an exhibition of art inspired by Roberto Bolaño‘s story “Gomez Palacio,” has just completed its run at Fordham University’s Center Gallery/Lipani Gallery…but a slideshow lives on in cyberspace. (I like feel this one would have made a nice cover for Last Evenings on Earth, but Bolañophiles may want to click through all 18.)
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“A Novel” Reminder
Eliza Brooke for Vox explains why the seemingly obvious phrase "A Novel" still appears on book covers and spines today.
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Seduction Through Literature
At The Paris Review Daily, Sarah Fay ruminates on her questionable practice of using literature to seduce men: “Wasn’t I just trying to bribe men hungry for something to read? … How could I deliver book recommendations for an entire marriage?”
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Secret Lives of Mascots
The story of the rise and fall of New York Mets mascot Mrs. Met is like a kind of Christ narrative. Here’s something of an elegy for the original Mrs. Met from Sadie Stein over at The Paris Review. Here are a couple of other Millions pieces on America’s favorite pastime.
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