“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
Slanting Light and Seedy Motels
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On WTF Moments
At The Space Review, which bills itself as an online journal devoted to the final frontier, Jeff Foust takes a look at The Pioneer Detectives, our new e-book by Konstantin Kakaes. The verdict? “It’s a fascinating reminder of how complex and challenging the scientific process can be.”
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Annals of fashion history
On Fred Perry and Lacoste tennis shirts: “Two shirts named after athletes who excelled in a sport that is generally played and enjoyed by people with the leisure and money for expensive lessons and court time.”
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Second Opinions
How did Herman Melville’s friendship with Nathaniel Hawthorne affect the writing of Moby-Dick? It’s a hard question to answer with any certainty, but Patrick James Dunagan gives it a shot, drawing evidence from Erik Hage’s book on the authors’ relationship. You could also read Hester Blum’s argument that Moby-Dick is the greatest American novel.
“The dead don’t care about much”
Philip Connors‘ essay about his brother, published in Lapham’s Quarterly, is truly heartbreaking.
Talking Translation
In an interview at The Brooklyn Rail, Susan Bernofsky talks about translating The Tanners, the last novel by the great Robert Walser to appear in English.
Not My Best Work
In the early eighties, when the writer James Lasdun was working in publishing, he rejected a book by a writer who turned out to be a pen name for Doris Lessing. The fallout? He couldn’t bring himself to read her work until this year. (Related: our own Mark O’Connell’s interview with Lasdun about his latest book.)
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