Out this week: The Lost Time Accidents by John Wray; Wreck and Order by Hannah Tennant-Moore; Dog Run Moon by Callan Wink; The Fugitives by Christopher Sorrentino; The Heart by Maylis de Kerangal; You Should Pity Us Instead by Amy Gustine; The Life of Elves by Muriel Barbery; Square Wave by Mark de Silva; The Arrangement by Ashley Warlick; Sudden Death by Álvaro Enrigue; and The Daredevils by Gary Amdahl. For more on these and other new titles, go read our Great 2016 Book Preview.
This morning, the longlist for the 2016 International Dublin Literary Award came out, and the nominees include some familiar names. Year in Reading alumnus Anthony Doerr’s All the Light We Cannot See (which won this year’s Pulitzer, whom you can learn more about in this essay by our own Michael Bourne) is on there, as is Year in Reading alumnus Michael Cunningham’s The Snow Queen, Year in Reading alumna Roxane Gay’s An Untamed State (reviewed here by Aboubacar Ndiaye), and A Brief History of Seven Killings by Marlon James (winner of this year’s Booker Prize).
“But was I actually reading? I regarded myself as a reader, but were these really books?” In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel’s audiobook.
A pretty nifty Neil Gaiman quotation appears on the floor of the Duke University Medical Center Library.
“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
It’s not online but “The Boy Who Had Never Seen The Sea” by newly named Nobel laureate Jean-Marie Gustave Le Clézio appears in this week’s New Yorker. See our recent guest post about publishing Le Clézio.In last week’s New Yorker, Malcolm Gladwell was back, this time talking about “genius.” His guinea pigs were Ben Fountain and Jonathan Safran Foer.The headline says it all: “Karl Marx’s book sells as Germany economy sinks.””The _______of________“The fall issue of The Quarterly Conversation has arrived.