Out this week: The Lost Time Accidents by John Wray; Wreck and Order by Hannah Tennant-Moore; Dog Run Moon by Callan Wink; The Fugitives by Christopher Sorrentino; The Heart by Maylis de Kerangal; You Should Pity Us Instead by Amy Gustine; The Life of Elves by Muriel Barbery; Square Wave by Mark de Silva; The Arrangement by Ashley Warlick; Sudden Death by Álvaro Enrigue; and The Daredevils by Gary Amdahl. For more on these and other new titles, go read our Great 2016 Book Preview.
For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
If you’ve ever had a successful friend you secretly envied and maybe even hated, you may be in startlingly good company: a new reading of an old letter between Groucho Marx and T.S. Eliot indicates that the “flamboyant misanthrope and the restrained one” shared exactly this kind of frenemyship. Unrelated: a short recording of Eliot reading “The Naming of Cats.”
The editors of Apogee Journal have reserved themselves the right not to read submissions blindly. As they explain it, “Blind submissions don’t actually protect writers from the existing prejudices of editors, and they alone do not contribute to editors reading inclusively.”