Marjorie Liu is the author of Monstress, a new comic from Image. In her free time, she has also earned a law degree and published over twenty novels, novellas, short stories, and comics. Hear what she has to say about diversity, the body, and writing. You could also read our review of The Best American Comics 2014.
A Monster’s Body
A Voice of Gravitas
Claire Vaye Watkins’s essay on pandering has gotten a lot of responses, including one from Man Booker Prize winner Marlon James. Over at NPR, they discuss the issues of sexism and racism in publishing, cultural ventriloquism, narrative authority, and more.
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Huck Finn, Improved
Cartoonist Ruben Bolling has identified some additional ways in which Huck Finn might be cleaned up for today’s delicate readers.
Lispector Inspector
The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore‘s intriguing essay on Clarice Lispector.
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Egan On E-Readers
Jonathan Franzen isn’t the only writer opposing technology and digitization. Jennifer Egan, in a panel discussion last week, compared Facebook to a “huge Soviet apartment block.”
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The Southern Festival of Books
Last weekend The Southern Festival of Books took over Nashville. The latest installment of #LitBeat takes you to Ta-Nehisi Coates’s panel there, on the importance of studying–but not romanticizing–history.
American Gaze
“What does it look like to be the child of war? A product of war? What does it look like to be a queer child from a very traditional Confucian family? How does one feel to pay homage to a family but to also, in a way, betray those familial values?” Kaveh Akbar interviews Ocean Vuong about linguistic identity, syntax, and the American gaze for Divedapper.
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Appearing Elsewhere: The Pale King and the DFW Legacy
You can read my take on The Pale King – and what it says about Wallace’s legacy – at New York Magazine.
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Just Like, “Gross”
“excited to get over you by being obsessed with somebody who doesn’t want me.” Poetic Twitter accounts are all the rage. Over at The New Yorker, Haley Mlotek takes an in-depth look at one account in particular that is toeing the line between dark humor and debilitating sadness, @SoSadToday.
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Tiny correction–Ms. Liu has written for Marvel in the past, but Monstress is published by Image.
Seth – Thank you for the correction! It has been fixed.