It looks like Jonathan Safran Foer will be publishing his first novel in eleven years next fall. The book, tentatively titled Here I Am, is the story of an American Jewish family, set against a background of traumatic events in the Middle East including earthquakes and an invasion of Israel. Foer’s last novel, Extremely Loud and Incredibly Close, enjoyed tremendous critical and commercial success. Here’s a piece on JSF’s crazy, confusing, die-cut book Tree of Codes.
Extremely Patient and Incredibly Careful
Dan Brown’s Worst
At The Telegraph, a list of Dan Brown‘s worst sentences.
A Feast Fit for Frankenstein and His Monster
Valerie Stivers cooks a feast inspired by the food found within the pages of Mary Shelley's gothic classic, Frankenstein.
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A New Adaptation of 1984
This week in book-to-film adaptation news: a new version of 1984 is in the works, with Paul Greengrass signed on to direct and a screenplay by James Graham.
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Author as Commercial Mechanism
Has Edward St. Aubyn killed the existentialist novel? Jacob Kiernan at Full Stop Magazine has a few ideas about it. If it’s existential quandary you’re after, this essay for The Millions on the beautiful afterlife of books–which may not be so much of an afterlife, after all–will be perfect for you.
The Author Would Like to Say Something
Now that Louise Erdrich has won the National Book Award, it’s worth looking back on her interviews from recent years. You can read her piece in the Art of Fiction series, published in 2010 in The Paris Review; you could try her interview with the Times from back in October; or else you could take a look at her sit-down with The New Yorker in April. (This probably goes without saying, but you could also just read her new novel.)
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Cultural Confusion
Over at Broadly, MariNaomi talks about heritage and her graphic memoir, Turning Japanese. Pair with Mia Nakaji Monnier’s Millions interview with the author.
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A Classic of the Future
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
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Our most insufferable novelist strikes again! Apparently he is taking a break from crafting masterpieces on the side of fast food cups and lecture-shaming people who like burgers to focus on his first love: pretentious, preposterous fiction. Hey, perhaps he will figure out a way to reduce the long bloody history of the Middle East into a cutesy flip book like he did for 9/11! That would be so precious.
Seriously, why do sites like the Millions prop up writers like this? “Tremendous critical success”? That book was excoriated. It’s perhaps the worst book of the millennium. I repeat: It ends with a fucking flip book depicting someone falling from the towers on 9/11. The polite, whitewashed lit culture of today is really wreaking havoc on the quality of our literature. I suppose, like anything, it’s about money: J4 sells, so the Millions covers him so it can sell ads. Sigh. Quality is an afterthought these days; first and foremost concern is keeping the machine well-oiled and profitable.
The Millions used to be good but now it’s barely more than a PR extension of the buttoned-up corporate publishing industry. Another one bites the dust…see ya!
I dunno, I really like Everything is Illuminated, scenes from which stay with me years later. Haven’t read the others so can’t speak to them, but I found him to be funny, touching, and very readable in my o book sampling. Different strokes, I guess.