It looks like Jonathan Safran Foer will be publishing his first novel in eleven years next fall. The book, tentatively titled Here I Am, is the story of an American Jewish family, set against a background of traumatic events in the Middle East including earthquakes and an invasion of Israel. Foer’s last novel, Extremely Loud and Incredibly Close, enjoyed tremendous critical and commercial success. Here’s a piece on JSF’s crazy, confusing, die-cut book Tree of Codes.
Extremely Patient and Incredibly Careful
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Save Me the Waltz
“It is the persistent, damning mischaracterisation of Zelda as ‘insane’ that most needs undoing. The trouble lies in the diagnosis she was given in 1930: ‘schizophrenia’. While today we know it to mean severe mental illness requiring delicate and often lifelong treatment with medications, therapies, and sometimes institutionalisation, in Zelda’s time it was a catch-all label for a range of emotional difficulties.” Reexamining the life and reputation of Zelda Fitzgerald.
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A New Native American Epic
There There by Tommy Orange is one of our most anticipated books of the year. It debuts next week and this week Orange receives the New York Times treatment along with a few other rising star indigenous writers in an excellent profile. “Mr. Orange is part of a new generation of acclaimed indigenous writers from the United States and Canada who are publishing groundbreaking, formally innovative poetry, fiction and prose, shattering old tropes and stereotypes about Native American literature, experience and identity. Their ranks include poets like Layli Long Soldier, Natalie Diaz, Joshua Whitehead and Tommy Pico, and the essayists and memoirists Elissa Washuta and Terese Marie Mailhot.
Tuesday New Release Day: Straub; Phillips; Berkhout; Visser-Maessen; Ulman; Gaiman
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.
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And the Award Goes to…
“Proulx’s deep reverence for the beauty and complexities of rural America has introduced millions of readers to the wide breadth of American life. Her commitment to crafting compassionate, honest stories has left an indelible mark on literature and created a powerful and enduring legacy.” Annie Proulx nabs the National Book Foundation’s lifetime achievement award. Check out her Year-in-Reading entry from this past year here.
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Maybe This Is Why They Take So Long to Finish
Robert A. Caro, who releases new installments of his Lyndon B. Johnson biography at a glacial pace, is apparently also working on another project, too. It’s “not a memoir, exactly,” he says, but it does concern “how he came to write the Johnson biography and its predecessor, The Power Broker.”
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Writing By Heart
We’ve told you about The Atlantic’s By Heart series a few times before. Now, here’s a compendium of some of the series’ best advice on writing collected from the past year.
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Our most insufferable novelist strikes again! Apparently he is taking a break from crafting masterpieces on the side of fast food cups and lecture-shaming people who like burgers to focus on his first love: pretentious, preposterous fiction. Hey, perhaps he will figure out a way to reduce the long bloody history of the Middle East into a cutesy flip book like he did for 9/11! That would be so precious.
Seriously, why do sites like the Millions prop up writers like this? “Tremendous critical success”? That book was excoriated. It’s perhaps the worst book of the millennium. I repeat: It ends with a fucking flip book depicting someone falling from the towers on 9/11. The polite, whitewashed lit culture of today is really wreaking havoc on the quality of our literature. I suppose, like anything, it’s about money: J4 sells, so the Millions covers him so it can sell ads. Sigh. Quality is an afterthought these days; first and foremost concern is keeping the machine well-oiled and profitable.
The Millions used to be good but now it’s barely more than a PR extension of the buttoned-up corporate publishing industry. Another one bites the dust…see ya!
I dunno, I really like Everything is Illuminated, scenes from which stay with me years later. Haven’t read the others so can’t speak to them, but I found him to be funny, touching, and very readable in my o book sampling. Different strokes, I guess.