“If I was working against any existing Detroit narrative, it is the one where working-class black people exist as numbers or victims and not as fully-realized, complex people.” Angela Flournoy on her most recent work, The Turner House, a National Book Award finalist. We interviewed the author and reviewed the book.
In Zadie Smith's introduction to the Writers Bloc series, she writes that the program sought essays "that were not only pious, charitable or analytical but also readable, engaging, exciting." The essays published by Guernica certainly meet this criteria. I particularly recommend Aleksandar Hemon's essay on first graders in Bosnia and Herzegovina.
Some seriously deranged Amazon customer reviews. (via Doc Searls)A year ago "Our Lady of the Underpass" was a Chicago phenomenon. Eric Zorn revisits.Chimney sweeps and flower pots are the stuff of poetry for Sam.Dale Peck's recent judgment in the Tournament of Books is scarcely worth mentioning, but I did very much enjoy Kevin Guilfoile's commentary on the topic as well as his tale about meeting Ken Kesey.Kakutani's reign of terror turns 25.The Literary Saloon points us to Jonathan Franzen's new book. It's a memoir, and like Ed, I am disappointed by that.The Rake chats with Charles D'Ambrosio
Here are a couple more pieces on Bill Keller's departure as executive editor of The New York Times. An interview with Esquire conducted not long before his announcement: "Newspaper publishers have done more to kill newspapers than any innovative form of media." And New York describes how Keller's recent cranky columns about new vs. old media ticked off the newsroom.
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it's worth revisiting Paul Morton's interview with Krasznahorkai and Adam Z. Levy's review of his latest novel, Sátántangó.