Ta-Nehisi Coates isn’t exactly sure why white people love his book so much. It is indisputable that they do love it, though; Coates’ Between the World and Me is a runaway bestseller and he is also the recipient of one of this year’s MacArthur Foundation “Genius grants.”
Very, Very Direct
What Seems Obvious Is Often Refuted
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
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Genre: A Map
This week in book-related internet graphics: Penguin has created an interactive map of literary genres, complete with some very creatively shaped “countries”. As Electric Literature points out, “the fact that the map is aimed at current self-publishing authors explains why YA is it’s own continent while genres like Gothic fiction don’t exist.”
On the Scroll
“Was Jack Kerouac really a hack?” To quote Truman Capote: “That’s not writing, it’s typing.” Though not all writers agree.
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A Unified Theory of Doughnuts
For LitHub, Elizabeth McCracken proposes, at last, a unified theory of doughnuts: “Perhaps I cling to doughnuts because doughnuts still exist in the world, though Woolworth’s and Howard Johnson’ses don’t.”
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Read Proust
“In Proust’s case, I think he helps us to see the world as it really is, not only its extraordinary beauty and diversity, but his observations make us aware of how we perceive and how we interact with others, showing us how often we are mistaken in our own assumptions and how easy it is to have a biased view of another person.” William C. Carter makes an argument as to why we should still read Proust. Our own Hannah Gersen has started a Proust Book Club.
For Auld Lang Syne
“A perfect example of what the short story can do when the form is at its best: containing as much of an emotional blow as that of a 800-page novel, regardless of its brevity.” The Guardian awards its 4th Estate BAME short story prize to “Auld Lang Syne” by Lisa Smith. The prize was launched in 2015 in response to a report “which found that black, Asian and minority ethnic (BAME) writers struggled both to get published and against stereotypes imposed by the UK’s overwhelmingly white publishing industry.”
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Lemonade and Poetry
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.
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Shelby Steele has already explained the phenomenon of white people lining up to be told how awful they are.