What is it like to work for a major book publisher? In an excerpt from the new reprint of her My Misspent Youth, Meghan Daum discusses the myth of the glamorous editorial job, one in which no time is wasted reading self-help books and unauthorized biographies of cable stars. As she explains it, “We’re secretaries fully versed in Derrida, receptionists who have read Proust in French.” Also check out our own Hannah Gersen’s review of Daum’s latest essay collection The Unspeakable.
Coincident with the release of her new novel, Marie-Helene Bertino published an excerpt in the latest issue of Granta. It features, among other things, a character using the phrase “better-him-than-me kind of park.” You could also read Bertino’s interview with Jessica Gross, which followed the publication of her debut book of short stories.
Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
Writing for 300 Reviews, a platform which aims “to find a home for criticism of subjects that are neglected in traditional venues,” Level End author and Tuscaloosa Runs This editor Brian Oliu explains a Southern rite of passage: Taking Someone to Waffle House After the Bars Close.
This year, the good folks at Slate and the Whiting Foundation kicked off a new literary prize, intended to reward authors for great second novels. To wrap up the year, they’ve asked several winners of the prize, including Akhil Sharma, Helen DeWitt and Daniel Alarcon, to write short pieces about objects that symbolize the writing process for their books. (Akhil Sharma chooses a stopwatch, while Eileen Myles chooses a can of Cafe Bustelo.)