What is it like to work for a major book publisher? In an excerpt from the new reprint of her My Misspent Youth, Meghan Daum discusses the myth of the glamorous editorial job, one in which no time is wasted reading self-help books and unauthorized biographies of cable stars. As she explains it, “We’re secretaries fully versed in Derrida, receptionists who have read Proust in French.” Also check out our own Hannah Gersen’s review of Daum’s latest essay collection The Unspeakable.
According to the title of Matt Steinglass‘ new essay (a qualified rebuttal of Katie Roiphe‘s recent piece “The Naked and the Conflicted“), “Today’s Male Novelists Do Write Exuberant Sex Scenes, But Mostly Lesbian Ones“
“I think of the book as a love letter in the form of a requiem.” Our own Emily St. John Mandel, whose novel Station Eleven was recently shortlisted for the National Book Award, was interviewed for Omnivoracious about writing, apocalypse and the beauty of the modern world.
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.