What is it like to work for a major book publisher? In an excerpt from the new reprint of her My Misspent Youth, Meghan Daum discusses the myth of the glamorous editorial job, one in which no time is wasted reading self-help books and unauthorized biographies of cable stars. As she explains it, “We’re secretaries fully versed in Derrida, receptionists who have read Proust in French.” Also check out our own Hannah Gersen’s review of Daum’s latest essay collection The Unspeakable.
Gawker’s Adrian Chen has uncovered the man who is ultimately behind @Horse_ebooks. If you’re unfamiliar with the constant stream of found poetry that is @Horse_ebooks, you may want to start with this Splitsider essay, which includes a cameo from John Darnielle.
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.
Slate has translated famous first lines of literature into emojis, and they’re surprisingly coherent. Pair with Jonathan Russell Clark‘s essay on opening sentences.
The new book release schedule is slow in December, but the third book in Javier Marías’ acclaimed Your Face Tomorrow trilogy is now out, Poison, Shadow, and Farewell. Also, new on shelves is The True Deceiver, a 1982 novel by the Finnish writer Tove Jansson from NYRB Classics.
As the holiday shopping wars heat up, Amazon has announced a surprise offer of free one-day shipping through December 22 on thousands of items, but not, as best as I can tell, books. Of course, in Amazon’s eyes, all those ebooks already ship instantaneously.