What is it like to work for a major book publisher? In an excerpt from the new reprint of her My Misspent Youth, Meghan Daum discusses the myth of the glamorous editorial job, one in which no time is wasted reading self-help books and unauthorized biographies of cable stars. As she explains it, “We’re secretaries fully versed in Derrida, receptionists who have read Proust in French.” Also check out our own Hannah Gersen’s review of Daum’s latest essay collection The Unspeakable.
Chasing After Literature
Poetry From Hanoi Hilton
Bill Keller discusses John Borling’s Taps On The Walls, a collection of poems “tapped out in code, letter by letter, on the walls of a wretched cell in Hanoi during his 6 1/2 years as a prisoner of war.”
Our Stonecutters
Do yourself a favor and pick up a copy of Stonecutter. In the most recent issue, you’ll find our own Lydia Kiesling’s essay on cigarettes and literature; in Issue #2, you’ll find Mark O’Connell discussing Roberto Bolaño’s Between Parentheses. You read that correctly: 50% of all Stonecutter issues feature Millions staffers.
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History and Story
In a piece for Public Books Rebecca Steinitz reviews some recent historical novels, including The Luminaries and The Invention of Wings, and argues that the best historical fiction "plunges the reader wholly into the past, enlightening and entertaining us, while also making us reflect on our present, in history and in literature." Pair her piece with Laila Lalami's account of "How History Becomes Story."
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Street Cred
Recommended Reading: Jody Rosen on Ashley and JaQuavis Coleman.
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Shitty Mentor Subgenre
Is it just a kind of literary Stockholm Syndrome? This essay from Electric Literature explores why writing students idolize such horrible mentors. For more on what it means to be a mentor, here’s an essay from The Millions.
Previews, Ctd.
If our own lengthy book preview wasn’t quite enough for your appetite, you might like the preview at Writers No One Reads. (It probably doesn’t hurt that their list includes Beckett and Borges.)
A Writer’s Obsessions
“It’s funny how as an author, I rarely notice what seems so obvious to other people: that I have obsessions and will write about them endlessly. Sad, lonely, self-loathing guy? Mid-20th and 21st century literature loves to write about that guy, and so do I. Reckless, self-aggrandizing, narcissist man? I like to write about him, too, though of course they are the same person. A person whose energy compels people to orbit him—family, friends, underlings, women.” The Rumpus talks with Woke Up Lonely author Fiona Maazel (who’s written for The Millions).