Has the drudgery of submitting poems, stories, and manuscripts ever gotten you down? Marlon James, author of the Booker Prize winner A Brief History of Seven Killings, had his first novel rejected by nearly eighty publishing houses. Here’s a take on self-publishing from The Millions if all of this has got you down.
The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.
A retired Japanese couple has teamed up with an architecture firm to design “a house with a bookshop and a café where neighbors and visitors can stop by.” The result is a decidedly more spacious and well-lit version of Brazenhead Books – another domicile/bookshop.
A while back, Frank Ocean alluded to the possibility of one day writing a novel. Asked by Guardian interviewer Rebecca Nicholson about his immediate plans following the success of his last album, Channel Orange, the musician replied, “I might just write a novel next.” The response seemed unserious. But now, in Jeff Himmelman’s long profile of Ocean for The New York Times Magazine, it appears the idea may have a bit more traction. “It’s fiction,” says Ocean. “And it’s about brothers.”