“But upon learning that the unmarried 60-something Ms. Welty was a fan, the 50-something Macdonald — Ken Millar, to use his real name, as he does in these letters — dashed off a note of thanks. A reply followed within a week.” On a new book of letters between Eudora Welty and Ross MacDonald. You could also read Jonathan Clarke on the letters of Willa Cather.
The 2014 Guggenheim Fellows were announced this week, and this year’s batch of honorees (PDF) includes ten poets, seven writers of fiction, and ten writers of “general nonfiction.” Among the names on the list, Millions readers will be thrilled to see Year In Reading contributors Hari Kunzru, Julie Orringer, Meaghan O’Rourke, and Susan Orlean, as well as a number of writers who had work mentioned in other peoples’ YIR posts: Adrian Matejka, Patricia Smith, Victoria Redel, and Claire Vaye Watkins.
Have you ever wondered what a music note might look like? Now you have, so go and check out Resonantia by artists Jeff Louviere and Vanessa Brown, a work which tests the limits of “cymatics—the patterns that sound waves induce in physical objects.” One of Louviere’s projects involved photographing the “shapes” of each of the 12 notes. Spoiler alert: G looks like a devil.
This is an interview in which five-year-old Desmond and eight-year-old Everett ask some hard-hitting questions of M. Quint regarding her new book The Defiant, and in which Jonathan Lethem makes a brief cameo to helpfully facilitate the discussion–do you need any more reason to read this piece? Here’s a quick hit from C. Max Magee, creator of The Millions, on giving the classics to kids.
It goes without saying that a man dubbed “the father of modern conservatism” might stir up contentious debates. In his heyday, Edmund Burke was so renowned as a thinker that his detractors tried to place him at the center of conspiracy theories. In a new biography, Jesse Norman tackles Burke’s thought in its entirety — a task which, in Charles Hill’s view, is nothing if not un-Burkean.