Looking to start (and finish!) a novel in a day? Electric Literature has 17 short novel recommendations, including work from Gabriel Garcia Marquez, Shirley Jackson and Marilynne Robinson.
From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves."
Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
Out this week: The Burning Girl by Claire Messud; The Hidden Light of Northern Fires by Daren Wang; My Absolute Darling by Gabriel Tallent; To Die in Spring by Ralf Rothmann; and All the Dirty Parts by Daniel Handler. For more on these and other new titles, go read our most recent book preview.
Jonathan Raban intersperses biographical information about William Gaddis in order to give the correspondence collected in his recently published Letters greater context. There are ample details about the author’s travels in his young adulthood, his artistic frustrations over the publication of The Recognitions, and, of course, many details about the women in Gaddis’s life. “In letters to his mother,” Raban writes, “Gaddis liked to depict himself as someone repeatedly smitten by beautiful women.” (Bonus: “The Letters of William Gaddis contains five letters addressed to me.”
“The art style also changes from chapter to chapter — some panels fill the pages to the edges and are overwhelming in their dark palette; some seem ordinary in proportion, confident; others fill the space around small figures with words, words, words; and others still have a minimalist, sketch-like quality and barely occupy the page at all — and they aren’t always chapters, or even stories, in the traditional sense.” On MariNaomi’s Dragon’s Breath and Other Stories.