Joshua Cohen’s new novel has gotten a lot of attention for its odd relationship with Internet culture. In The New Republic, he talks with Gideon Lewis-Kraus in a Gchat, explaining his view that “it’s time writing took something back from the Internet.” Pair with Cohen’s Millions interview from 2012.
IRL
Viet Thanh Nguyen and the Refugee’s Narrative
Viet Thanh Nguyen discusses the complexity behind refugee narratives and resisting the temptation of shallow representation.
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Bin Laden Book
As the world digests the news of the death of Osama Bin Laden, we offer a recommendation for Lawrence Wright’s masterful book The Looming Tower, which tells the history of Bin Laden and the terrorist movement that led to 9/11.
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“Death to the Minibar!”
Anyone who travels a lot will enjoy Dubravka Ugresic‘s essay on hotel minibars. As a matter of fact, just about anyone will enjoy this essay regardless of how often they travel.
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The Via Crucis of the Book
“All of a sudden, things that should be banal, like a person’s face—the fact that a person has a face—becomes extremely disorienting. In these moments, I think it’s important to keep those strange commas.” In an illuminating interview for Asymptote, Year in Reading alumna Katrina Dodson talks about the thrills and challenges in translating The Complete Stories of Clarice Lispector. Pair with Magdalena Edwards’s Millions review of the collection.
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Film Critics, A Dying Breed
The new media revolution has massacred the book review sections at many national newspapers, but it’s been just as unkind to movie reviewers. At his Salt Lake Tribune blog, Movie Cricket, SLT film critic Sean P. Means keeps a list of all of the movie reviewers who’ve gotten the axe.
I’m the Best One Here
If, while sitting in a writing class, you’ve ever looked around at your classmates and thought, “Dear Lord, these people are navel-gazers,” you might want to know that British researchers have found evidence that you were right.
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Really an utterly self-absorbed failure of a novel. The hype it’s riding on shows the disconnect between tight lit circles and the rest of the world; he’s a darling, but is in no way an accessible darling like Wallace, to which Cohen is sometimes compared. An NPR interview? He’s got a great publicist, I’ll grant you that.
But then I thought The Goldfinch was a fraud as well, so what do I know?