Joshua Cohen’s new novel has gotten a lot of attention for its odd relationship with Internet culture. In The New Republic, he talks with Gideon Lewis-Kraus in a Gchat, explaining his view that “it’s time writing took something back from the Internet.” Pair with Cohen’s Millions interview from 2012.
IRL
Financing Cloud Atlas
The multinational production of the (Millions favorite) Cloud Atlas movie, "in all its glorious confusion, also serves as a guidepost to the future of the film business."
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Learning from Yiyun Li
Want a write a great short story? Here's a chance to learn from MacArthur Fellow, New Yorker "20 Under 40" writer, and Year in Reading alum Yiyun Li. Her new 45-minute Skillshare class, Writing Character-Driven Short Stories, is now available and included with Skillshare membership ($10 per month). Better yet: the first 50 readers of The Millions to click here can sign up for free.
Where Have You Been
Recommended Reading: Mark L. Keats explores “international adoption as resettlement.”
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Plant That (Literary) Flag
"In no particular order, except one of hallelujah, here’s a necessarily partial list of some other living Korean American writers whose work or person, or both, I’ve had the great good luck of encountering"....you'll have to read the interview for the lengthy list as well as the thoughts of four Korean American writers who gathered at the behest of R.O. Kwon to discuss the influence and impact of Alexander Chee. It's full of beautiful insights from Kwon, Nicole Chung, Alice Sola Kim, and Matthew Salesses such as "Alex said he 'wanted to plant that flag in the culture,' and until he said that I don’t know if I’d thought about it as a reason to write. The need to exist in the canon, in the literary world. I found that very powerful, and very brave". Chee's newest book is an essay collection, How to Write An Autobiographical Novel, that we eagerly anticipated last month.
The Future Is Near
Wallace Shawn has written a new play, and it's unsettling to watch. In it, a group of wealthy, middle-aged party hosts reveal their roles in a dystopian future, where political murders, random beatings and censorship are all commonplace. In an essay for The New York Review of Books, Francine Prose reviews the play in the context of Shawn's other works.
Really an utterly self-absorbed failure of a novel. The hype it’s riding on shows the disconnect between tight lit circles and the rest of the world; he’s a darling, but is in no way an accessible darling like Wallace, to which Cohen is sometimes compared. An NPR interview? He’s got a great publicist, I’ll grant you that.
But then I thought The Goldfinch was a fraud as well, so what do I know?