Having kicked off his career with a book of poetry, it’s not surprising that Ben Lerner is interested in the late Johns Hopkins professor Allen Grossman, who theorized that people dislike poetry because poems are — by definition — failures. In a piece for the LRB, he runs through the implications of Grossman’s theory, touching on poets as disparate as Shakespeare and William McGonagall. Pair with Kate Angus on why Americans don’t buy poetry books.
Haruki Murakami will publish his first short story collection in nine years this spring. Men Without Women will feature five previously published stories (including the controversial “Drive My Car”) and one new story. The book comes out in Japan in April, but there is no word on when we’ll see an English translation.
“All over the country research libraries are canceling subscriptions to academic journals,” notes Robert Darnton, “because they are caught between decreasing budgets and increasing costs. The logic of the bottom line is inescapable, but there is a higher logic that deserves consideration—namely, that the public should have access to knowledge produced with public funds.”
“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.