“The real world is massive and chaotic beyond the scope of any story, but the novel has always been the storytelling medium that could come closest to capturing it. And the novels that dared to really try – from Hugo to Tolstoy – are often the ones that have endured.” That’s not to say, of course, that bigger is always better, and in an article for The Guardian Damien Walter argues against the current glut of epic, serialized fantasy novels taking their cues from George R.R. Martin‘s A Song of Ice and Fire. As Walter puts it, “There are great fantasy short stories, novellas and single novels that deserve much wider audiences, but are sidelined by the industry’s unhealthy fixation with the serial format. It’s time for the fantasy genre to tell some new – shorter – stories.”
“In creative writing, I teach that characters arise out of our need for them. By now, the person I created in New York was the only one I wanted to be. …Eight years after reaching the end of myself, I was on borrowed time. Whether it was in a plane or a coffin, I knew I had to get out of Jamaica.” Marlon James, author of The Book of Night Women, which once gave me so much trouble, and whose novel A Brief History of Seven Killings the Book Report covered here, writes for the New York Times Magazine about leaving Jamaica to find himself in Minnesota.
Lev Grossman is ready to dub John Jeremiah Sullivan, author of Blood-Horses and, more recently, Pulphead, “the next Tom Wolfe,” and NPR‘s Dan Kois agrees that he might be “the best magazine writer around.” Elsewhere, Zach Baron writes an interesting profile of the author for The Daily.
This week in beautiful books: Eugène Delacroix once illustrated Goethe’s Faust, and Goethe himself claimed the resulting lithographs “surpassed my own vision.” A full version of the work is now available online. And in a slightly more light-hearted vein, English Russia has found and scanned a delightful Soviet version of The Hobbit, complete with a Gollum straight out of Dr. Seuss.