Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”
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Fiction Writers: Soloists or Thieves?
From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves."
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So Happy For You
Is envy really the worst form of pettiness, as Kierkegaard suggested? Maybe. The great Roman philosopher Cicero had his own, fairly radical thoughts on envy -- namely, that "compassion and envy are consistent in the same man; for whoever is uneasy at any one’s adversity is also uneasy at another’s prosperity."
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Craft Work
It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.
Break-Up Letter
"Did not really sleep: no Xanax / yesterday, which means I won’t sleep, / then the next night is usually OK, / Xanax or no. It’s Christmas Eve / in Spain, the important day. We’ll / break Dorota’s wafer. My mood / is less good than yesterday when / I would call it ‘normal’." A few new poems by Kathryn Maris at 3:AM Magazine.
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Not the Worst Thing
Step one: go read A. Igoni Barrett’s bravura confessional for The Millions. Step two: go check out this excerpt from his upcoming book in Guernica.
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Tuesday New Release Day: Cohen, Black, Cusk, Heller, Gillham, Ratner, Johnson, Meidav
New this week is Joshua Cohen's Four New Messages, while John Banville (writing as Benjamin Black) is out with Vengeance. Also new on shelves: Aftermath, a memoir by Rachel Cusk; Peter Heller's post-apocalyptic debut novel The Dog Stars; David Gillham's novel of WWII Berlin, City of Women; and In the Shadow of the Banyan, Vaddey Ratner's novel set in the Cambodia of the Khmer Rouge. Out in paperback are Adam Johnson's The Orphan Master's Son and Edie Meidav's Lola, California.
Tuesday New Release Day: Atwood, Coetzee, Woodrell, Dolnick, Davis
A new Margaret Atwood novel is out this week, as is a new book by Nobel laureate J.M. Coetzee. Also out: The Maid’s Version by Daniel Woodrell, At the Bottom of Everything by Ben Dolnick and Duplex by Kathryn Davis. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
“The Most Awesome Book Cover”
"Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul." Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed "the most awesome book cover of the summer," in particular.
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