Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”
Chris Adrian’s The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally — as none of the editions favored by The Atavist’s young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
Wes Anderson really likes trains, and not just any trains — the director of The Grand Budapest Hotel is a big fan of riding on Amtrak. “It’s one thing to be stuck together for the long haul to New Zealand in the upper deck of a 747 for 16 hours,” he told a writer for the company’ s blog, “but it’s an altogether different matter to hit the dining car three meals a day for two and a half days running onboard the Southwest Chief.” This may be a good time to read our own Nick Ripatrazone’s essay on writers and trains.