Writers are told that they should outline their work. Elizabeth Gilbert has outdone us all by writing a 70-page outline for The Signature of All Things. "I have no German Romantic idea about work. There’s no fugue state, you know? I could no more write at 3 a.m. than I could with a quill pen. I keep farmer’s hours and I have that sort of plotting and plodding way," she told The Daily Beast.
This January, Penguin Random House, Goodreads, Mashable and the National Book Foundation are sponsoring National Readathon Day, a holiday which encourages Americans to join together for a marathon reading session. If you’d like to take part, you can start a fundraiser to help support reading education, or else enlist your friends and family to read with you on January 24th from noon to 4 p.m.
At the Philadelphia Inquirer, neurologists look at cases where serious brain injury has actually brought about higher levels of creativity in artists, particularly where linguistic ability is harmed. “Language is the bully of the brain," [one neurologist] says. "It takes up its own space and if something else gets crowded out, too bad." (via Book Bench)
Polish filmmaker Piotr Dumala spent three years working on his half-hour-long expressionistic adaptation of Fyodor Dostoevsky’s Crime and Punishment, and the result is a “destructive animation” that’s at once unnerving and beautiful. However in case you’re more pressed for time, you can also get your animated Russian literature fix by checking out Natalia Berezovaya and Svetlana Petrova’s two-minute-long animation for Mikhail Bulgakov’s The Master and Margarita.
"I have always had faith that the best writers will rise to the top, like cream, sooner or later, and will become exactly as well known as they should be—their work talked about, quoted, taught, performed, filmed, set to music, anthologized. Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves." An excerpt from Lydia Davis's foreword to Berlin's A Manual for Cleaning Women: Selected Stories is now online.
“We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we could not actually feel afraid or angry.” Let’s hope you never get approached by a bear while hiking in the woods with trailblazing psychologist William James, who had some complicated ideas about feelings.