On odd reading habits, the problem with “brave” writing and being a writer in LA: an interview with Meghan Daum, whose essay collection The Unspeakable was reviewed by our own Hannah Gersen.
The Problem with “Brave”
Billy Pilgrim Is Unstuck
“How can a horrific event, so monstrous it seems incomprehensible, be told? How does one even find the words to write about it?” For The Paris Review, Matteo Pericoli takes a look at Slaughterhouse-Five and the bridge between fiction and architecture.
Bad Men
Over at Salon, Matt Zoller Seitz talks about his new book Mad Men Carousel and why audiences felt such a profound attachment to the protagonists. Despite their flaws, Seitz argues that it is the consistency in their behavior that endeared us to characters like Don and Betty, literal misfits though they were. Still having trouble admitting the show is over? This may help.
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Legendary Lovers
Recommended Reading: Becca Rothfeld on courtship and gender roles in Murasaki Shikibu’s The Tale of Genji, a classic work of Japanese literature written at the turn of the eleventh century.
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Treme vs. The World
“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
Mutual Self-Interest in Bad Decline
In the wake of Hurricane Sandy, America needs George Saunders. Fortunately, the editors at The New Yorker’s Shouts and Murmurs blog appear to understand this.
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