There’s been a lot of talk recently about the possibilities for contemporary war literature, especially in light of the success of Phil Klay‘s Redeployment. Now Flavorwire considers “a crop of fiction that approaches the question of American intelligence, torture, and military intervention slantwise,” particularly Mark Doten’s The Infernal, which was included in our 2015 Book Preview.
Slantwise
The Moth Wins MacArthur Award
Among the institutions that have just won MacArthur Awards are The Moth, for promoting the art and craft of storytelling, and the Center for Investigative Reporting, for engaging the public and sparking policy change.
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Nabokov on Butterflies
Vladimir Nabokov, who lived a parallel existence as a self-taught expert on butterflies and a Harvard museum curator, has had his theory on butterfly evolution finally proved sixty-five years later. (Thanks, Kevin)
Cinderella, as Told by Rebecca Solnit
Rebecca Solnit gives the classic and rather dated tale of Cinderella an empowered, nuanced update that examines cultural myths about measures of prosperity.
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“Neither Tarnished Nor Afraid”
“Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else.” Our own Emily St. John Mandel writes about “the vast distance between literary prizes and literary work” and reading Norman Mailer for The Atlantic‘s By Heart series (which we’ve covered many, many times before).
Help Put Books in the Hands of NYC Kids
ReadThis and The Center for Fiction are throwing a day-long event featuring the likes of Elizabeth Gilbert, Rick Moody, Kurt Andersen, Sam Lipsyte, and Jamaica Kincaid. It’s taking place at 17 East 47th Street in Manhattan on Saturday April 10th. “The price of admission? Your donation of two or more new or gently used board books through grade 12.”
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Truthiness and the Realish
Now that NPR has begun fact checking his work, it’s come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is ‘realish.’ So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.
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To Boldly Go
“[Maria] Bamford’s newest show…is a more polished product, but equally radical—as unsettling as anything Andy Kaufman ever did.” Is the Internet the comedy world’s final frontier?
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