There’s been a lot of talk recently about the possibilities for contemporary war literature, especially in light of the success of Phil Klay‘s Redeployment. Now Flavorwire considers “a crop of fiction that approaches the question of American intelligence, torture, and military intervention slantwise,” particularly Mark Doten’s The Infernal, which was included in our 2015 Book Preview.
B|ta’arof – which launched last year – announced a new poetry series featuring translations of “contemporary poems written in Persian and translated into English by emerging poets and scholars in the Iranian diaspora.” The translations will be accompanied by brief interviews with the translators, each consisting of the same five questions. “The idea,” according to the mission statement, “is to pull back the curtain on the process of translation, revealing how it is subject to individual choices and proclivities—the first choice being what poem to even translate.”
David Bowie hasn’t performed live in seven years, but he has a good excuse — he’s been reading. His top 100 books are part of the “David Bowie Is” traveling exhibition (currently in Toronto.) The list reveals that he’s a big fan of American lit, including Michael Chabon’s Wonder Boys, Saul Bellow’s Herzog, James Baldwin’s The Fire Next Time, and more. He’s also an amateur rock historian, naming Charlie Gillete’s The Sound of the City: The Rise of Rock and Roll and Peter Guralnick’s Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom among others. When can we sign up for the class, Professor Bowie?
While the federal government is turning to video games to get kids into the math and sciences, back in the day comic books provided a near-direct link to young minds. But the medium wasn’t warmly received by the older generation (sound familiar?), and the company debated whether it was worth taking a hit with parents in order to appeal to their kids.
In an interview with The Atlantic, Zone One author Colson Whitehead says the distinction between “literary” and “fantasy” genres “have no use for me in my day-to-day work experience.” Whitehead is just one of the recent high-profile authors to foray into genre fiction, however, as Kim Wright explored in a piece for us last month.