“I’ve been asked what differentiates war literature as a category, and I don’t think there is anything.” The Daily Beast interviews Phil Klay about the National Book Award, Redeployment, and the concept of war literature.
Phil Klay on “War Literature”
A Necessary Evil
Is the system rigged? Aaron Bady at The New Inquiry discusses the inherent evil of the canon and the general problem with lists. For more on why we care about literary awards in the first place, here is Mark O’Connell from The Millions.
Internet’s End
Recommended Reading: Sam Frank’s interview with Infomaniacs author Matthew Thurber.
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Another Perspective
“I believe that just as much as teens fear time, adults do as well. It would be selfish of us to think that they can understand and accept our evolution into adulthood much easier than we can. Maybe in reality, teenagers and parents are scared of the same things.” The LARB runs a 15-year-old reader’s honest review of The Fault in Our Stars.
Take a Look at Cormac McCarthy’s Screenplay
The New Yorker has a sneak peek at some scenes Cormac McCarthy wrote for the forthcoming Ridley Scott film, The Counsellor.
Writing to Win
Adam Gopnik at the New Yorker comments on why we still write to win prizes (and hails Mario Vargas Llosa for having “a lively personal life that includes once punching out another future laureate…Gabriel García Márquez, reportedly over something to do with Mrs. Vargas Llosa. The Nobel thus not only crowns a career but provides the basis for a fine future Javier Bardem/Antonio Banderas movie.”)
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The Puddlies
Powell’s Books announces their Puddly Awards. Vote for your favorite book of the last decade.
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