“I’ve been asked what differentiates war literature as a category, and I don’t think there is anything.” The Daily Beast interviews Phil Klay about the National Book Award, Redeployment, and the concept of war literature.
Phil Klay on “War Literature”
80 Books You Can Read If You Want To
Last week, I told you about Rebecca Solnit’s essay “Eighty Books No Woman Should Read,” which is a tongue-in-cheek riff on Esquire’s “80 Books Every Man Must Read” list. Now, here’s a fascinating rebuttal from Electric Literature in which Sigal Samuel ponders what might be gained by reading sexist old white guys.
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“No real diminishment was possible.”
Clive James gives Pauline Kael a serious critical appreciation in The Atlantic. Last year, The Millions also showed Kael some love, in this review of The Age of Movies.
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“I don’t love women writers enough to teach them.”
Millions alumna Emily M. Keeler interviewed author David Gilmour for Hazlitt’s Shelf Esteem blog. In the process (and perhaps because he was distracted by “a Frenchman”) the author voiced some opinions on female authors that have been called “ill-informed,” “careless and offensive,” and “staggeringly narrow-minded and parochial.” The ongoing kerfuffle prompted Hazlitt to share the unedited transcript from Keeler’s interview, and it’s clear that Gilmour’s remarks were not taken out of context.
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The Marvelous Words
Over at Catapult, Niina Pollari writes about translating Finnish literature in English. As she puts it, “If a thing you read gives you that sensation, it’s your responsibility to share the piece with someone.”
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The Word of God
William Tyndale, one of the leading figures in the Protestant reform, was executed in 1536 for his translation of the Bible into English. Over at Asymptote Journal, Josh Billings considers the meaning of Tyndale’s death. As he explains it, “It happened in an era when translation was taken extremely seriously, not just because it allowed ordinary people to read the Bible in their own languages, but because it implied those languages were as capable of containing God’s Word as Latin, Greek or Hebrew.”
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To read or NA to read
"You should feel embarrassed when what you’re reading was written for children," Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. "You should never be embarrassed by any book you enjoy," Hillary Kelly responds in The New Republic, unrealistically (we're embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
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