The Point Issue 9: On Art, Commerce, and the Prescience of DeLillo’s Cosmopolis

January 23, 2015 | 1 book mentioned 1

New at The Point: an incisive look at Don DeLillo’s Cosmopolis that calls it “the most prescient American novel of the past fifteen years” and asks,”is it possible to mount any meaningful resistance to capitalism on the level of culture?” The latest print issue features this essay as well as a symposium on privacy, and will be launched at a release party in Hyde Park on Saturday night.

is the author of the novel, The Enhancers, forthcoming in fall 2022 from Meekling Press. She’s published two poetry chapbooks, and her stories and essays have appeared in Fence, New York Tyrant, Tin House, and Make Lit, among other publications. Read more of her work here:

One comment:

  1. Point Omega is a wonderful book as well. The literary establishment, and those prone to pick their books according to the latest hype and fashion, wrote off DeLillo after Underworld, acted as if he was an old man with nothing left to say, or, that what he had to say was of little importance and derivative of his earliest work. But The Body Artist, Cosmopolis, and Point Omega and three of his best novels. DeLillo is a brilliant diagnostician of American culture, and that ability hasn’t abated with time, it’s only gotten more acute. The problem is you have to work, really work, while reading his prose, and some people just don’t want to. They want their truth to go down easy. DeLillo is not easy, but he’s essential. Always has been, always will be. When Cosmopolis came out it was waved off with a sigh. In this way late DeLillo reminds me of late Kubrick (of The Shining, Full Metal Jacket, and Eyes Wide Shut), in that he is only getting better with age, but no one will admit it, because in this country, to be old is tantamount to being invisible at worst, or being considered irrelevant at best.

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