New at The Point: an incisive look at Don DeLillo’s Cosmopolis that calls it “the most prescient American novel of the past fifteen years” and asks,”is it possible to mount any meaningful resistance to capitalism on the level of culture?” The latest print issue features this essay as well as a symposium on privacy, and will be launched at a release party in Hyde Park on Saturday night.
Purveyor of popular nonfiction Erik Larson has a new book out this week, In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin. The Snowman by Jo Nesbø is a new entry in the increasingly popular Scandinavian thriller genre. Inward-looking graphic novelist Chester Brown's latest, Paying for It is out, and musician and actor Steve Earle can now add "novelist" to his resume with the release of I'll Never Get Out of This World Alive. And new in paperback are a pair of big books, Brady Udall's The Lonely Polygamist and Karl Marlantes's Matterhorn.
“There’s much to be commended in the work done by FiveThirtyEight, or even Vox,” writes Millions contributor Brian Ted Jones. “But making problems seem smaller then they are is a harm that outweighs all the good.” He goes on to tie together the rise of “explainer” sites, the problem with “hashtag activism,” and also references to Louis C.K., Teju Cole, and Leslie Jamison.
"Diversity matters. Not only in what we look like, or what religion we practice, or in whom we love, but also in how we live our lives, including the order in which we go about things, the seasons in which we are able to create art." Robin Black wonders "What's So Great About Young Writers?" in a piece for the New York Times. Pair with our own series celebrating writers who got their start after 40.