“Riordan’s books prompt an uneasy interrogation of the premise underlying the ‘so long as they’re reading’ side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes.” In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.
"It is now, at this precise moment when I become woefully aware of the cruel transience of this seasonal offering, rarely lingering beyond the Marigold blooms of latter March, and at once I am lost amidst a magnificent vision, one in which our hallowed Saint Patrick himself is riding shotgun alongside me in this very Camry." In which James Joyce orders a shamrock milkshake.
Whoever decided to sign Noah Baumbach to adapt Claire Messud's The Emperor's Children for the screen has a good feel for the material (Keira Knightley and Eric Bana are also attached). One kind of has to wonder about Richard Gere, though...the Murray Thwaite role is clearly destined for Brian Cox, or vice versa.
Johnny Depp’s latest film, Black Mass, which casts the star as Whitey Bulger, hit theaters on September 18th. At Publishers Weekly, author T. J. English argues that Where the Bodies Were Buried: Whitey Bulger and the World That Made Him is necessary to the canon of literature on Bulger, even if it's the 16th book about the mobster.
"Every writer needs an editor, and anyone who says he doesn’t has a fool for a muse." The New York Times interviews journalists on the importance of editors, and it's well worth the short read. Pair with our own Edan Lepucki's conversation with her editor.
Rohan Maitzen on Virginia Woolf's literary criticism: "What—I can imagine her asking herself, as she writes about other novelists—am I doing, what else can I do, with the novel? Surely figuring this out was always, for her, the underlying project of her criticism."