“Riordan’s books prompt an uneasy interrogation of the premise underlying the ‘so long as they’re reading’ side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes.” In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.
If you received a text from an unknown number saying, “sup you comnig to this thing?”, would you respond? Michael Cera imagines the ensuing conversation in his epistolary humor piece, “My Man Jeremy,” for The New Yorker. Depending on how you feel about the actor, the piece is either endearingly awkward or annoying, but it’s very Cera — complete with anxiety and references to how he always gets mixed up with fellow “Shouts & Murmurs” contributor Jesse Eisenberg.
Getting a director for Stephen King’s The Stand was almost as difficult as surviving the virus. The latest director to try is Josh Boone, who is no stranger to adaptations because he’s bringing The Fault in Our Stars to screen. To brush up on your King, read our essay on learning about America through his novels.
What happens when a literary fiction writer tackles YA? If that writer is Sherman Alexie, he produces an award-winning book that rivals the quality of his books in other genres. At the Ploughshares blog, Annie Cardi writes about writers who’ve made this transition, including Alexie, Roddy Doyle and Louise Erdrich. You could also read our survey of high school students on the best YA books of 2013.
The finalists for the John Leonard Prize — for a first book in any genre — were announced by the National Book Critics Circle. This year’s finalists are Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Julie Buntin‘s Marlena, Zinzi Clemmons’ What We Lose, Layli Long Soldier’s Whereas, Carmen Maria Machado‘s Her Body and Other Parties, and Gabriel Tallent‘s My Absolute Darling. The winner will be announced in January. Pair with: Buntin’s 2017 Year in Reading entry.