“Riordan’s books prompt an uneasy interrogation of the premise underlying the ‘so long as they’re reading’ side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes.” In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.
“The Percy Jackson Problem”
Demonstrate Uncertainty
The semester is officially in full swing, and sallying forth in the spirit of yesterday’s teaching theme, here is another list of rules for teachers–this time in the style of John Cage–from Anne Boyer over at The New Inquiry.
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Very Short Film Contest
UK students have until December 31, 2012 to record a 60-second Very Short Film on any topic of their choosing so long as it can “fire up an audience’s curiosity.” The winner will earn £9,000 (~$14,465.70) for their education, and top submissions will be featured on the Guardian website.
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What’s Lost
We tend to take it for granted that the world needs more translated works. The dictates of common wisdom state that reading translated works help us understand the reality of foreign cultures. But what if translation, which erases at least some nuance from works of literature, instead “sifts out the foreign or the unsettling in the name of easy consumption”? In The Irish Times, Michael Cronin reviews a recent book by NYU professor Emily Apter.
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How ethical are cocoa puffs?
There's a new Ethicist in town. Chuck Klosterman is taking over the NYT advice column, and I'm thinking, gee, I wonder what the author of Sex, Drugs, and Cocoa Puffs knows about ethics. His first column seems pretty legit, but I can't wait for him to introduce time-travel [pdf] and other hypotheticals.
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You are Muriel Spark
"The voices you hear when you sit down to write lead you to believe that you’re a character in the novel you’re writing even though metafiction hasn’t been invented yet." If this applies to you, you might be in a Muriel Spark novel according to Maud Newton's article at The Toast. We aren't surprised that Newton wrote this because Spark made her 2010 Year in Reading post.
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Drawing Connections
Stephen J. Gertz shows off some of Bukowski's artwork; Sketches of F. Scott drawn by Zelda Fitzgerald and a portrait of their relationship by Anne Margaret Daniel; An interview with three of the more than 130 artists involved with The Graphic Canon, a series of illustrated literary classics.
Pale King Confusion
After our discovery yesterday that The Pale King was already on sale, the New York Times finds lots of angry booksellers, but not much by way of explanation.
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This is from a few months ago, and it was just a snobbish now as it was then.
I so agree with Matt and Neil Gaiman, having misspent my youth reading tons and tons of comic books (not graphic novels, but Caspar and Richie Rich and Fantastic 4, in all their flat, cheerful glory) and “abridged classics”, and just generally cheesy mid-century kid’s books now long out of print (much of it woefully un-P,C: “Pale-Face Redskins” was a particular favorite. I blush.) Not to mention “de-classified” textbooks from the 30’s and 40’s that my teacher dad brought home whenever the school board ordered newer ones, also pretty cretinous. And leave us not forget TV and movie novelizations — every single Star Trek and “Thoroughly Modern Millie” and Girl From U.N.C.L.E. we could find. The pleasures of cheap mass-market paperbacks — none of that Caldecott stuff for us!
I could go on and on with our many down-market enthusiasms — how we graduated to gothic novels and regency romances with heaving bodice covers .Even (gasp!) Emily Loring and Harlequin Romances — we were very young — don’t hate me) How I spent every study period of 9th grade in the school library finishing Marjorie Morningstar and Gone with the Wind and some other saggy, baggy stuff of which I loved every silly, melodramatic word.
I thank my folks for sending me to the library unchaperoned and for giving me a quarter for the church white sale where I found “Star Girl” for a nickel and an old Whitman edition of “Eight Cousins” with the lurid technicolor cover for a dime. I thank them for having busy enough lives that obsessing over my reading was not an option for them. I especially thank them for not censoring the first and best years of this readers life, when, as Gaiman points out, everything is new and nothing is hackneyed. Here’s to freedom and reading at will and trusting kids to know their own tastes.