Following up on her latest book, On Immunity: An Inoculation, Year in Reading alum Eula Biss talks with Salon about “action movies, race, fear, violence and vaccination.” Pair with Kyle Boelte‘s Millions review of On Immunity.
For years, one of the best ways to make a living as a writer (if you didn’t want to go into academia) was to become an ad copywriter. They heyday of print was flush with opportunities to make bank off billboards and publications. At The Paris Review Daily, Dan Piepenbring looks back on the ad copy of Fay Weldon, who gave the UK, among other things, the slogan “Vodka makes you drunker quicker.” (Related: Hope Mills on working for a creative agency.)
Would you eat the marshmallow or would you resist temptation? That is the question. Our own Michael Bourne gets to the meat of why the mallow experiment fascinates us at The New York Times Magazine. "The tale of the marshmallows, as presented in Goleman’s book, read like some science-age Calvinist parable. Was I one of the elect, I wondered, a child blessed with the moral fortitude to resist temptation? Or was I doomed from age 4 to a life of impulse-driven gluttony?"
"Hoaxers make it seem like things are as bad as we fear they are, and they often, especially now, play on our fears rather than our wishes." The Rumpus interviewed New Yorker Poetry Editor Kevin Young about the inspiration behind his new book, Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News. Pair with Young's Year in Reading entry and our review of Bunk.
The subjects of photographer Robert Dawson's latest project are beautiful, educational, and in danger; they are public libraries. For his new book, The Public Library: A Photographic Essay, Dawson visited hundreds of public libraries, from little free libraries to icons, in 48 states to photograph "our best example of the public commons." The Morning News has a few of his photos as well as an essay on the importance of libraries by Charles Simic. "Wherever I found a library, I immediately felt at home."
For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
"Soldiers eat beef teriyaki and chicken cavatelli M.R.E.s in a war zone where 'armored ruins' line the roads, 'charred corpses scattered in among the blasted metal'; and sniper fire and I.E.D. ambushes are a constant threat: 'the chaos out there, the crazy Arabic writing and abu-jabba jabber, the lawless traffic, the hidden danger and buzz and stray bullets and death looming from every overpass.'" Michiko Kakutani reviews Roy Scranton's War Porn for The New York Times. Here's an old review from The Millions that shares a bit of Scranton's lingering sentiment regarding the war.