Ever since Paul Thomas Anderson announced his intention to film Inherent Vice, there’s been a lot of hand-wringing over whether it’s even possible to adapt a Thomas Pynchon book for the screen. Now that it’s out, Geoffrey O’Brien investigates how faithful the movie is to the book, and whether or not that’s a good thing. Related: our own Garth Risk Hallberg’s review of the book when it came out.
Recommended (Long) Reading: This lengthy excerpt from the latest book in Karl Ove Knausgaard’s My Struggle series. In it, Knausgaard is introduced to the literary world and stresses a great deal over his own claims to artistic merit: “Deep down, I was decent and proper, a goody-goody, and, I thought, perhaps that was also why I couldn’t write. I wasn’t wild enough, not artistic enough, in short, much too normal for my writing to take off. What had made me believe anything else? Oh, but this was the life-lie.”
The Omnivore has announced the shortlist for its the Hatchet Job of the Year Award, honoring “the author of the angriest, funniest, most trenchant book review of the past twelve months.” Worthy candidates all, though we note that our review, written by Holloway McCandless, of Michael Cunningham’s By Nightfall is perhaps even more trenchant than (and was published over a month before) Adam Mars-Jones’ shortlisted review, which, like ours, found Cunningham’s endless references to the literary canon tiresome.
Whether or not you’ve read Grace Paley, you’re likely to appreciate this George Saunders essay about her, which justifies his contention that she’s “one of the great writers of voice of the last century.” You could also read our own Garth Risk Hallberg’s tribute to Paley upon her death.
“I asked myself – why don’t I state the race of my characters? And am I doing something wrong by not explicitly including a diverse cast of characters? Could I be doing something better? The short answer is yes.” An argument in favor of race bent fanfiction and resisting assumedly white characters from The Missouri Review blog.