Paul Thomas Anderson’s movie adaptation of Thomas Pynchon’s Inherent Vice is going to have one heck of a star-studded cast. Among the names attached to the production thus far are Joaquin Phoenix, Reese Witherspoon, Benicio Del Toro, Martin Short and Sean Penn. The film is tentatively scheduled for a 2014 release. (Bonus: Take a sneak peek at Pynchon’s forthcoming novel, Bleeding Edge.)
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
Lisa Peet at Open Letters Monthly / Likefire blog on Millions contributor Sonya Chung‘s novel Long for This World: “When a novel, particularly a debut novel, is referred to as ‘ambitious,’ there’s usually an implicit ‘but’ present… Chung takes on the dynamics of family—what draws it together and what pulls it apart—through the eyes of a number of players, male and female, old and young, Korean and Korean-American. Both her subject matter and her approach are ambitious, to say the least. The only ‘but’ in my reaction, however, is but she pulls it off—and admirably.” Read the full review.
Tired of all this business about the Royal wedding? Try learning about the five easy (even free!) ways you can support The Millions instead. Ta!
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)