“After years of reading, teaching, and writing about the book, though, I’ve come to believe that… our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book.” Andrew Levy writes for Salon about childhood, race, and “dedicated amnesia” in Mark Twain‘s controversial classic.
All Wrong
“Mookie Blaylock dresses up as Mookie Blaylock for Halloween.”
What better way to celebrate the Super Bowl than by reading a poem about basketball?
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“Art of Agenting”
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.
Revenge Book Trailer
Behold the creepy beauty of the book trailer for Revenge, Yoko Ogawa’s latest collection of stories. It’s a collection haunted not only by the shadow of Haruki Murakami, writes NPR’s Alan Cheuse, but also “the shadow of Borges.”
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Tuesday New Release Day: McSweeney’s, Ross, Brown
We’re surprised McSweeney’s didn’t think of this sooner: A handsome large-format volume called Art of McSweeney’s; Chris Ware and many more. There’s also a debut that’s been getting some notice, Mr. Peanut by Adam Ross. And finally, sometime Millions interviewee and interviewer Nic Brown has a new novel out: Doubles.
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New Herring Press: Purveyor of Prose Chapbooks
New Herring Press is a Brooklyn/Portland publisher of prose chapbooks, and they’re likely the best new chapbook press you haven’t heard of yet. Volume II of their annual series features titles by Eileen Myles, Justin Torres, Amanda Davidson, and Sara Veglahn, with cover art by illustrator Jacob Magraw-Mickelson. NHP’s ultra-short backlist includes notable authors like Lynne Tillman and Deb Olin Unferth. Volume III is in the works, with authors and artist TBA soon. Check them out at newherringpress.tumblr.com.
“I have a lot of feelings about the meeting.”
I highly recommend reading Jennifer Gilmore’s emotional essay on meeting “the birth mother.”
On Judging
“Gobble a lot of fiction very quickly and you soon find yourself suffering from the literary equivalent of a food intolerance. Oh no, you think, not another novel about X or Y. At these moments, only one thing keeps you going: the faint hope that the book in question might turn out to be the greatest novel ever written about X or Y.” Rachel Cooke writes for The Guardian about reading 80 books in four months and the process of judging the Folio prize.
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Twain wrote: “PERSONS attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
Well, didn’t that fly over the head of academe!
The Salon article is very insightful. Thank you for highlighting it.
What stood out for me:
Forgetting is the partner of illusion.
In popular culture the minstrelsy stage paint has been discredited but songs, dances, jokes, and cultural strategies endure.
Twain can help us acknowledge that, but only if we care to.
The book begs the question whether we are truly more equal and open-minded compared with Twain’s day. Some might say we’re not. And that doesn’t fit the narrative of linear progress, ever onward and upward.
That, in my view, is what academics and school administrators dislike in the book: it’s not the word, it’s the mirror. Something that makes them uncomfortable.