“After years of reading, teaching, and writing about the book, though, I’ve come to believe that… our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book.” Andrew Levy writes for Salon about childhood, race, and “dedicated amnesia” in Mark Twain‘s controversial classic.
All Wrong
An Accomplished Saxophonist
Here’s a great interview with Colin Stetson, the saxophonist who’s lent his talents to such acts as Tom Waits, Bon Iver, TV on the Radio, Arcade Fire, and Feist.
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Heathcliff Whr R U
The Guardian published a couple of fun pieces earlier this week. The first is a hilarious excerpt from Mallory Ortberg’s Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters. The second is a collection of the top ten most memorable meals in all of literature.
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Bring On The Rejection
Steel your nerve, readers! Kim Liao at The Literary Hub thinks that everyone should shoot for at least 100 rejections per year. At least some of the satisfaction, she argues, lies in knowing that “in the towering waves of slush, be it high tide or low tide, my own modest submission is out there, like a tiny sailboat, bobbing afloat.”
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Writerly Personalities
Have you ever taken a Myers-Briggs personality test? (I fall somewhere between ISTJ and ISFJ.) Book Riot reveals the Myers-Briggs types of 101 famous authors.
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Endless Depths
Every so often, a piece comes along that rends the fragile mind, employing a devil’s portion of mundane details to lay bare the inescapable futility of all human endeavor. This is the only rational way to describe this piece at The Awl, which takes the form of a conversation between Karl Ove Knausgaard and True Detective’s Nic Pizzolatto.
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“There’s your enemy in bed beside you”
In The New York Times, T.C. Boyle tells Andrew Goldman about his pact with his wife (who “rarely leaves the couch”) and his view of writers who date other writers (dim). The author came out with a new novel, San Miguel, in September.
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Homes for Old Kindles
Tired of that ancient Kindle sitting around, gathering dust? Now you can trade it in.
Twain wrote: “PERSONS attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
Well, didn’t that fly over the head of academe!
The Salon article is very insightful. Thank you for highlighting it.
What stood out for me:
Forgetting is the partner of illusion.
In popular culture the minstrelsy stage paint has been discredited but songs, dances, jokes, and cultural strategies endure.
Twain can help us acknowledge that, but only if we care to.
The book begs the question whether we are truly more equal and open-minded compared with Twain’s day. Some might say we’re not. And that doesn’t fit the narrative of linear progress, ever onward and upward.
That, in my view, is what academics and school administrators dislike in the book: it’s not the word, it’s the mirror. Something that makes them uncomfortable.