“After years of reading, teaching, and writing about the book, though, I’ve come to believe that… our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book.” Andrew Levy writes for Salon about childhood, race, and “dedicated amnesia” in Mark Twain‘s controversial classic.
All Wrong
Rest in Hell
Say goodbye to Binky and Sheba, everybody. After 32 years, Matt Groening pulled the plug on his Life In Hell comic last week with this installment. If you’re unfamiliar with the strip, you can play a round of catch-up by scouring this German website’s 70-strip archive.
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Literary Disco
Literary Disco, a podcast hosted by Julia Pistell, Tod Goldberg, and Rider Strong (yeah! Sean from Boy Meets World!) is just great. In the most recent installment the hosts revisit their bookshelves and describe their new findings from rereading some faves, including Strong’s overwhelming reaction to T.C. Boyle‘s author photo.
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I Want YOU to be the Next Tournament of Books Judge
Do you have what it takes to be a judge in The Morning News’s annual Tournament of Books? If so, your application better be in by midnight Friday.
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Thoughts of a Hand-Wringer
If you were to guess (no cheating) the author of a new essay on hypochondria, who would you guess? Larry David? Calvin Trillin? Or someone a little more… nebbishy?
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Ridgway’s Hawthorn & Child Coming in September
New Directions announced they will publish Irish author Keith Ridgway’s novel, Hawthorn & Child, which was originally published by Granta books in 2012. Look out for the book this September. As a way to entice prospective readers, Tom Roberge does not mince words. “This is absolutely a New Directions book, and we think those of you who’ve fallen in love with Javier Marías or Roberto Bolaño or László Krasznahorkai as much as we did will agree,” Roberge writes.
Man Eater
Would you like your man-steak with green peppercorn sauce? At the LRB, Jenny Diski on Catalin Avramescu‘s Intellectual History of Cannibalism.
Twain wrote: “PERSONS attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
Well, didn’t that fly over the head of academe!
The Salon article is very insightful. Thank you for highlighting it.
What stood out for me:
Forgetting is the partner of illusion.
In popular culture the minstrelsy stage paint has been discredited but songs, dances, jokes, and cultural strategies endure.
Twain can help us acknowledge that, but only if we care to.
The book begs the question whether we are truly more equal and open-minded compared with Twain’s day. Some might say we’re not. And that doesn’t fit the narrative of linear progress, ever onward and upward.
That, in my view, is what academics and school administrators dislike in the book: it’s not the word, it’s the mirror. Something that makes them uncomfortable.