“When it comes to the personal essay, we want so much and there is something cannibalistic about our desire. We want essayists to splay themselves bare. We want to see how much they are willing to bleed for us. This desire introduces an interesting tension for essay writers. How much should they bleed, and how much blood should they save for themselves?” Roxane Gay reviews Meghan Daum‘s The Unspeakable and reflects on the personal essay for The New York Times Book Review. Pair with our own Hannah Gersen‘s Millions review of the same book.
Something Cannibalistic
Taking Her Measure
“What traits make Austen special, and can they be measured with data? Can literary genius be graphed?” The New York Times tackles the question of why, 200 years after her death, Jane Austen is still so popular. (One finding: the author“used intensifying words — like very, much, so — at a higher rate than other writers.") See also: our interview with Curtis Sittenfeld, whose most-recent novel Eligible is the ultimate literary tribute, an adaptation of Austen’s Pride and Prejudice.
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Skin-Deep
Recommended Reading: Hestia Peppe on Lindsay Hunter's Ugly Girls.
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Mark It Up
Recommended Reading: Laura Miller’s argument for writing in books. You could also read Sam Anderson's marginalia in Dan Brown's Inferno, as well as his Year in Marginalia from 2010.
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Marion Cotillard as Lady Macbeth
The film adaptation of Macbeth being helmed by Snowtown Murders director Justin Kurzel will star Michael Fassbender and Marion Cotillard, reports Vulture. The movie will feature “Shakespeare’s original linguistic stylings” as well as “a visceral approach to the story including significant battle scenes,” and it is set to begin production this year.
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