“Year-end lists are always subjective and incomplete, but they are especially tricky for books. A dedicated film critic can watch every wide release film and a theater critic can go to most every play, but the book critic is faced with an insurmountable mountain of books each year. The sheer number of books is inspiring as a reader, but it can make “best of” lists laughably subjective when the critic has only read a fraction of the hundreds of thousands of books published each year.” This might help to explain the logic and intent of our own Year in Reading series, but it also prefaces Electric Literature‘s list of the top 25 story collections of 2014 (which includes recent Year in Reading alum Phil Klay‘s Redeployment).
A new issue of The Quarterly Conversation has arrived, featuring an essay on Wizard of the Crow by QC creator Scott and a review of William T. Vollmann’s Poor People from Dave Munger. Lots of other good reviews in there too.Also via Scott, Political Theory Daily Review, a dense and daily collection of linksIn a Newsweek sidebar accompanying an excerpt of his book The American Religion, Harold Bloom names his “five most important books.” The most recent one to appear on the list? A tie, more or less, between Don Quixote and the complete works of Shakespeare. Bloom was also asked to admit to an important book he hadn’t read. His answer: “I cannot think of a major work I have not ingested.” That’s a lot of pages to store in one’s belly. (via Stephen)Good week for Mark Sarvas, first he announces that he’s sold his novel and now he’s off on his honeymoon. Filling in at TEV is Joshua Ferris, author of the much praised Then We Came to the End.And finally, a Baltimore Sun review had me intrigued by a new squirm-inducing non-fiction book by a former crime scene investigator for the Baltimore County police. Dana Kollmann’s book Never Suck a Dead Man’s Hand: Curious Adventures of a CSI gives a real-life look at a profession recently glamorized by TV show “CSI” and its many offshoots. Krall, however, describes a job both more boring and more odious than the one described on TV, but she does so with “dark humor,” which I’d imagine the job requires. The book’s title, for example, “comes from a story that involves a dead man, his hand and her attempts to get fingerprints on a freezing cold day.” Yikes.
In another excellent essay from LARB’s new site, Morten Høi Jensen takes a close look at the work of Martin Amis to discuss the theme of masculinity, the arc of his oeuvre, the seductiveness of his distinct tone and the dangers of falling for it. For more on Amis, check out our expose of Invasion of the Space Invaders, the near-forgotten first work by Amis in which the young author details the gritty world of arcade gaming.