Last week, I pointed readers to an article about Michael Faber’s latest book and his decision to quit writing fiction. Now, in the Times Book Review, Marcel Theroux sizes up the novel, writing that “the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot.”
Recommended Reading: This unsettling, important essay by Kira Jane Buxton at The Rumpus: “He starts to move with a slow hiss. This is his place, his world, and so when he walks he does it slowly, time in his pockets. He keeps his eyes on me, keeps me in my place in his world. I can’t hold the fear back for much longer, the bridle is snapping.”
Point: Dan Chaon believes younger writers should read more contemporary writing before attempting to be published themselves. Counterpoint: J. Robert Lennon believes most contemporary writing is a waste of would-be writers’ precious time. TL;DR Version: Nathan Elwood notes that if writers “want to change the face of literary fiction … [they should] at least know what it looks like.”
James Salter reviews Paul Hendrickson‘s Hemingway’s Boat for The New York Review of Books. Relatedly, Helena Price has been using 1000memories to compile “memory pages” to “explore the life of Ernest Hemingway as well as his friends and family.” Of particular note is this poster imploring us to “Live the HemingWAY.” Also related, The Paris Review shares a letter from Papa to his sister Ursala Hemingway.
Sarah Pitre reviews Meg Wolitzer‘s first YA novel, Belzhar, for Kirkus Reviews, and while we were already looking forward to the novel, now we’re doubly interested.
It seems slightly incredible that anyone doesn’t know who Stephen King is, but sometimes “it’s precisely those whom we imagine we know, in broad stereotypical terms, who require introductions,” as Joyce Carol Oates put it. Luckily, The Oyster Review has provided a handy reader’s guide to Stephen King, covering his works from Carrie to On Writing.