It’s rare that a writer decides his new novel will be his last, but that’s exactly what Michael Faber has done with regards to his latest, which comes out this week. In the Times, he talks with Alexandra Alter about his decision, saying: “I felt that I had one more book in me that could be special and sincere and extraordinary, and that that would be enough.” It’s probably a good time to read our own Bill Morris on the history of literary retirements.
Take a vicarious trip to China via a special issue of Ninth Letter, a literary and arts journal published by the University of Illinois, Urbana-Champaign. Including work by authors Madelaine Thien and Khaled Al Khamissi, the issue grew out of a residency sponsored by Sun Yat-sen University's Center for English-language Creative Writing, the only such department of its kind in that country. Pair with this piece by Casey Walker about writing his novel Last Days in Shanghai, which is set in the boomtown of today's new China.
As if demonstrating exemplary literary skill weren't enough, some overachieving authors were accomplished visual artists as well, notes AbeBooks in a roundup of talent that includes e e cummings, Günter Grass, Herman Hesse, and Jack Kerouac. Consider also our own Bill Morris on artists who channel writers in their own aesthetics.