It’s rare that a writer decides his new novel will be his last, but that’s exactly what Michael Faber has done with regards to his latest, which comes out this week. In the Times, he talks with Alexandra Alter about his decision, saying: “I felt that I had one more book in me that could be special and sincere and extraordinary, and that that would be enough.” It’s probably a good time to read our own Bill Morris on the history of literary retirements.
It's not surprising when a graduate student claims to "live in the library," but an NYU student really does live in the university's Elmer Holmes Bobst Library. For only $225 a semester, the student rents library cubbies instead of an apartment. The idea isn't as crazy as it sounds, though, but is a response to the skyrocketing rent in the neighborhood.
David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.
Over at Buzzfeed, Rachel Kaadzi Ghansah travels to James Baldwin's home in Saint-Paul-de-Vence, France, and explores his life as an expat. She writes, “Baldwin left the States for the primary reason that all emigrants do — because anywhere seems better than home.” Pair with Justin Campbell Millions essay on Baldwin and fatherhood.