As part of the latest chapter of the McConnaissance, Matthew McConaughey has been tipped to star in The Stand, the upcoming adaptation of Stephen King’s famous novel. McConnaughey is expected to play Randall Flagg, the malevolent sorcerer and necromancer. In the words of director Josh Boone, who also directed The Fault in our Stars, the movie will be “the Godfather of post-apocalyptic thrillers.” This might be a good time to read our own Lydia Kiesling on growing up with Stephen King.
El Diablo
In/Out
"This question of presence seems crucial to Tillman's project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others' work." On Lynne Tillman's new story collection.
●
●
“All dialogue? Really?”
Seeing as the latest Dave Eggers book consists of all dialogue, it’s a good time to look back on the history of all-dialogue novels. Alexander Kalamaroff, writing for The Rumpus, identifies a few examples, among them The Waves by Virginia Woolf and numerous works in Sixty Stories by Donald Barthelme.
●
●
Reconsidering Jane
A scholar studying Jane Austen's original manuscripts finds "we have simply overestimated her as a perfect English stylist at the expense of how experimental she was."
●
●
One comment:
Add Your Comment: Cancel reply
Long and Deep
Last October marked the release of a new volume in The Cambridge Edition of the Letters of Ernest Hemingway. Spanning three years in the writer's early twenties, the letters in the volume track events including his first bullfight, the birth of his son Jack and the publication of his first collection of stories and poems. In The New York Review of Books, Edward Mendelson reads through the new volume. This might also be a good time to read our own Michael Bourne on A Farewell to Arms.
●
●
Chasing Candy
Roman Coppola and Wes Anderson teamed up on a series of short films to advertise Prada’s newest perfume Candy L’Eau. Click for the Andersonian single-camera sweep shots; stay for the intriguing French love triangle.
Why Criticism Matters
"We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate." The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, "what it is they do, why they do it and why it matters."
●
●
The Art of Fielding: The Show
Chad Harbach's The Art of Fielding may get its own HBO series, reports Variety. Additionally, if you subscribe to n+1, they'll include a copy of the book when it releases.
●
●
Any director who compares a movie he hasn’t even made to The Godfather is already setting himself up for failure and is probably a hack to begin with. Just because your teen weepie made a hundred million dollars doesn’t mean you’re a genius. But in a culture that equates money with intelligence I’m not surprised to hear this guy thinks this way about himself.