One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
Despite the “grotesquerie of courtship rituals” they present, Roxane Gay enjoys watching The Bachelor and The Bachelorette, in part because, as she explains, they hearken back to America’s Puritan origins. In The New York Times, the essayist, novelist and Year in Reading alum reflects on a guilty pleasure.
“They say ‘kill your darlings,’ but I think darlings are your voice — your favorite parts, the parts you’d admire even if you didn’t write them. Why destroy what you love? If you feel that strongly about something you’ve written, pay attention!” Elisa Gabbert pens Electric Literature‘s “Blunt Instrument” column, which this month involves how to find one’s style as a writer. And for more scrivening advice, see our own columnists Swarm & Spark on the best way to seek feedback on your work,sending a memoir into the world, and whether writing a novel will jeopardize your mental health.
Beyoncé’s visual album/phenomenon Lemonade has only been out for a few days and already it has spawned countless thinkpieces. One of the best and most inspiring things to come out of it has been the #LemonadeSyllabus hashtag, popularized by Rutgers University educator Candace Benbow. The series “encourages Black women to share curated reading lists of books, poems and other inspirational literature penned by Black female authors that celebrate every aspect of what it means to be a Black woman.”