One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
“When the corrective to women’s exclusion from history is to find a few suitable individuals to pluck out of the messy rush of life and achievement, and hold up for admiration, we forget that many of women’s most important historical achievements…have been the product of collaboration, community, and collective action.” For Slate, Joanna Scutts writes about recent spate of historical books about rebellious, misbehaved women, and who is left out of those stories. From our archives: a list of vile women in fiction.
When Good Things Happen to Bad People: Heart Advice for Difficult Times. On one of our favorite industry blogs, The Rejectionist weighs in on one of publishing’s perennial problems: what to do when someone really foul ends up being way more successful than you are.
Recommended Reading: Almost a century ago, two students at Oxford wrote back to Ophelia: “Ophelia racked with phantasy, / And Sigismunda, sick with rue — / Ladies, why did ye choose to die / When all the world was made for you?” Find out more about the poets Doreen Wallace and Eleanore Geach at The Toast. We recently wrote about why authors continually turn to Shakespeare.
Late November brings work of another favorite Madrileño to the forefront. The final book of Javier Marías‘s Your Face Tomorrow trilogy, Poison, Shadow, and Farewell, will be published at the end of the month by New Directions. The incomparable Marias will make two New York appearances, a reading at the 92nd St Y (with Paul Auster) and a conversation with Paul Holdengräber at the New York Public Library.
“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”