Back in April, Dreamworks announced its plans to adapt Eleanor and Park by Rainbow Rowell for the silver screen, with the author writing the script. A few months later, Rowell published a new book, Landline, that marked a return to adult fiction. At The Rumpus, Amanda Green sits down with the author to talk about YA, her productivity and the importance (or not) of getting up early to write. FYI, our own Janet Potter reviewed Eleanor and Park and Fangirl.
Cross-Genre
Traveling like Twain
The Mississippi was integral to Mark Twain's fiction, so David Carkeet traced Twain's path on the river in the new issue of Smithsonian. "What would Samuel Clemens have made of the Riverwalk? He was a grown child who readily took a God’s-eye view of life on earth. He would have loved it." Pair with: Our essay on Twain's travel writing.
The Voices Who Confided
Head over to The Literary Hub and take a look at this excerpt from Svetlana Alexievich's newest book, Second-Hand Time, which has been called a "history of emotions" chronicling the demise of Soviet communism. While you're at it, take a look at this Millions profile/interview with Alexievich from earlier this summer.
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He’s on the Fence
On Wednesday, the BBC Radio 4 program Four Thought broadcasted an essay by our own Mark O’Connell that lays out a novel argument: we should embrace the value of ambivalence. (We’re not sure how to feel about that.)
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Poolside Romance
Recommended Reading: Roxane Gay's short story about a summer romance, "The Year I Learned Everything," at Rookie. "He’s the best-looking of the bunch so you can imagine how ugly his friends are."
The Conch Republic Seeks Literary Job Applicants
A true genius is someone who’s talented and accomplished enough to work in the publishing/literary crucible of New York City, but who’s also smart enough to know that working in New York City is nothing compared to working in Key West, Florida. That’s right: the Key West Literary Seminar is hiring.
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Blue Nights
An "extended short film excerpt" of Joan Didion reading from her memoir Blue Nights, which our own Michael Bourne reviewed yesterday.
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