It’s no secret we enjoy and highly recommend The Atlantic‘s By Heart series, and Vikram Chandra‘s essay on reading Hemingway is no exception. Pair with Jonathan Goldman‘s review of a modern edition of The Sun Also Rises.
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung’s Millions essay on literary endings.
The Economist gives a succinct explanation of “why books come out in hardback before paperback,” but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist‘s article with Nichole Bernier‘s Millions piece on “The Point of the Paperback.”
Chris (Simpsons Artist) will be publishing a book on positivity. Check out a few scenes from it in The Guardian. He has advice for how to handle everything from depression to hair nits. For more graphic art, we review the twenty-fifth anniversary edition of Drawn and Quarterly.
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
“While pressure from Amazon forced Borders out of business in 2011, indie bookstores staged an unexpected comeback. Between 2009 and 2015, the ABA reported a 35% growth in the number of independent booksellers, from 1,651 stores to 2,227.” Professor Ryan Raffaelli read this surprising statistic and decided to study what exactly independent bookstores were doing in order to reinvent themselves and thrive. He found it has to do with indies embracing the three Cs; community, curation and convening. The full report will be released in 2018 but you can glimpse a preview here. Three cheers for indies!