I’ve written before about Wolf in White Van, the new novel by Mountain Goats frontman John Darnielle. But there’s another book out by a prominent artist in a field other than writing: Consumed by David Cronenberg, the director of A History of Violence. Sam Costello reviews the new book over at Full-Stop.
Branching Out
The Joys of Air Travel
“In college, I didn’t realize I was the face of the Diaspora, the embodiment of all the women they thought I was, and who I knew I was. I was from Africa, east and west, a sojourner through the islands of the Caribbean, a daughter of the Second Great Migration of African-Americans from South to North. Perhaps Chaka said it best—to these young men, I was ‘every woman.’ To airport security, I was that woman. The one to be stopped and searched. The one who was suspect. A long-lost daughter whose lineage crossed through Kush—was I carrying Kush now, perhaps, in my hair?” If a ‘Pat-downs, Pissing, and Passport Stamps’ headline isn’t enough to get you to read this great piece from The Literary Hub, hopefully the quote will do.
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D.H. Lawrence on Trial
Ben Yagoda provides a step-by-step recount of the 1959 British obscenity case over Lady Chatterley’s Lover, and every noted literary name from Graham Greene to Evelyn Waugh to T. S. Eliot who weighed in: “The whole thing was very well stage-managed with a splendid cast.”
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A Way Out of No Way
Keeanga-Yamahtta Taylor reviews Saidiya Hartman's Wayward Crossings, Beautiful Experiments, "a radical, genre-defying examination of the lives of 'ordinary' young Black women."
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Fantasies of Desires
“(The Great Gatsby) is often considered the greatest American novel of the 20th century—I waver on that sometimes but I love the beauty of its writing, its tabloid immediacy, the high body count, its modernistic touches, the relentless drama put into its novella-length form.” Bret Easton Ellis’s top ten favorite books doesn’t include many surprises, but it’s worth a look.
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Stranger Than Fiction
“Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the ‘domestic’ life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth.” These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?
Twitter and its Relationship to Language
A group of researchers from the University of Cambridge is using Twitter to help research the rapidly disappearing Welsh language “[because] tweets don’t follow the conventions of written language” and instead “provide an authentic snapshot of spoken language.” (Bonus: Twitter’s stunning visualizations of “tweet geography.”)
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