A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”
Down to/Poetry
“I Write Because I Have Hands.”
Crapalachia author Scott McClanahan kicks off The Triangle’s brand new “visual interview” series with shots of himself, a dumpster behind his house, and his pair of “writing panties.” (Bonus: I urge you to read his books.)
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Tuesday New Release Day: Ulitskaya; Moody; Cunningham; Parker; Hawke
Out this week: The Big Green Tent by Ludmila Ulitskaya; Hotels of North America by Rick Moody; A Wild Swan: And Other Tales by Michael Cunningham; Dear Mr. You by Mary-Louise Parker; and Rules for a Knight by the actor Ethan Hawke. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
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Something Borrowed, Something Stolen
Is Kenneth Goldsmith continuing to lead the charge in a revolutionary poetry movement? Has he overstepped his bounds? Is conceptual poetry dead? Alec Wilkinson for The New Yorker and Cathy Park Hong for The New Republic offer their opinions.
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Short Form
“Aphorisms are linguistic memes. They were, in essence, an attempt by Greek philosophers to go viral 2,500 years before the internet existed.” On the form of the aphorism, and Sarah Manguso’s new book.
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Tuesday New Release Day
Laura Miller of Salon recommends Tana French’s new crime-fiction novel Faithful Place: “makes Philip Marlowe’s L.A. look like a church picnic. French herself doesn’t play by the rules…” Also out recently is a new edition of James Salter’s short story collection Dusk and Other Stories, with a new introduction by former Paris Review editor Philip Gourevitch.
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Strike Back
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.
Godblog Twitter Feed
God’s terse first line in the Book of Genesis — “Let there be light” — was ready-made for the Twitter generation. If only the rest was as crisp, the British novelist Jeanette Winterson recalled thinking, as she began to reckon with that first book for a new theatrical project on the King James Bible. And then it hit her: Maybe God’s wisdom would crackle for a modern audience as Twitter posts of 140 words or less.
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