Last week, I wrote about Josh Weil and Mike Harvkey’s joint book tour, which sees the two driving a Prius across America to promote their latest novels. Now, in their latest dispatch, they reflect on the differences between writers like themselves and midcentury writers like Andre Dubus and Norman Mailer.
Different Times
A Screwball Tragedy
“Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy.” Cathleen Schine reviews Francine Prose’s newest novel, Mister Monkey, over at The New York Times.
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Goodbye to All That
After fourteen years, Bookslut is closing its doors. In a post that went up on March 9th, founder Jessa Crispin announced that the blog she started when she was twenty-three, which made a name for itself as one of the first major book sites on the web, is ceasing publication as of tomorrow, May 6th. She talks with Boris Kachka at Vulture about why it’s closing, what she’s learned about the publishing world, and what it was like when she started: “People who started blogging even a year after us didn’t have the same response because the audience got divided.”
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Party Animals
“The point of a party is to make us forget we are solitary, wretched and betrothed to death; in other words, to transform us into animals.” Michel Houellebecq offers some handy tips, over at The Believer. Pair with this Millions review of Houellebecq’s The Map and the Territory.
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“Publish for readers, not authors.”
OR Books recently announced a forthcoming book from Wikileaks founder Julian Assange. Meanwhile, OR’s publisher, Colin Robinson, shares ten ways to “save the publishing industry.”
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Brickjest
Infinite Jest may have “really taken on a foothold as the ‘novel of ideas’ of the late 20th and early 21st centuries” but now it’s also a “novel of legos,” courtesy of Kevin Griffith and his 11 year old son, Sebastian.
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Wiki-zon
In a long tradition of online experimentation, Amazon has now started including something called “Shopping-enabled Wikipedia Pages” in its internal search results (see the second result here). Now you can view a copy of Wikipedia pages for authors like David Foster Wallace, J.K. Rowling, Jonathan Franzen, and probably thousands of others. How can Amazon do this? Wikipedia pages are free for anyone to reuse for almost any purpose, so long as the license info is displayed. Why is Amazon doing this? It wants free content that it can monetize.
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