Male bonding can take many forms, among them the rarely-seen joint book tour, which Mike Harvkey and Josh Weil decided to undertake in support of their new novels. The two write about meeting each other, travelling around America and bouncing ideas off trusted friends in a Salon essay. FYI, our own Bill Morris wrote a piece about his own book tour for The Daily Beast.
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.
"'Poetry, I feel," said Sylvia Plath in a radio interview in 1962, the year before her suicide, 'is a tyrannical discipline. You've got to go so far so fast in such a small space, you've got to burn away all the peripherals.'" Fifty years after her death, an argument for close reading.
In 2011, Eternal Sunshine of the Spotless Mind screenwriter Charlie Kaufman gave a 70-minute lecture at the BFI in London. Little did he know Eliot Rausch would take snippets from that lecture, set them to accompanying, complementary visual clips, and turn the entire thing into a marvelous, beautiful video entitled What I Have to Offer.
The headliners this week are on the non-fiction side: Michael Pollan's Cooked and Let's Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times' Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.