Male bonding can take many forms, among them the rarely-seen joint book tour, which Mike Harvkey and Josh Weil decided to undertake in support of their new novels. The two write about meeting each other, travelling around America and bouncing ideas off trusted friends in a Salon essay. FYI, our own Bill Morris wrote a piece about his own book tour for The Daily Beast.
Cee Lo Green will be dropping a memoir in 2013, and his press release reads like something that’s gone through four different spins in Google translator: “Talk about art imitating life? Enter into the super-natural, the surreal and the extra-ordinary that is [Cee Lo Green.] Do you think this is by chance? CRAZY? FORGET YOU? After reading this book, there will be no doubt that I am meant to be. CEELO GREEN A.K.A ‘everybody’s brother’ will make you a believer, not only in me, but also…yourself.”
Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.
“I feel very transparent to myself. I’m more like an observer. I’m interested in what’s going on. I’m not sure that I really have a personality,” Joyce Carol Oates said in The New Yorker’s micro documentary about her writing life and routine. Pair with: our essay on Oates’ The Accursed.
Jennifer Egan recently spoke with Willing Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.