There are book tours and then there are book tours. You either get the full-scale, all-expenses-paid treatment from your publisher, or else you get a request to plan it all and pay for it all yourself. In the weeks after his latest novel came out, our own Bill Morris set off on a DIY tour — all driving, no flying — about which he’s been writing dispatches for The Daily Beast. This week, he thinks about the changing nature of book promotion, recounts his nights in dumpy motels and compares his experience to that of our own Edan Lepucki. (FYI, they talked about writing their novels in a Millions piece.)
The Great Gatsby, that quintessential American classic, was first published 90 years ago today. Over at Scribner Magazine authors ranging from Anthony Doerr to Christopher Beha remember their first encounters with the novel, and Time has republished its original review of the novel.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
Theoretically, it pays to get a novel on Amazon’s best seller list. In reality, though, a bestselling novel doesn’t make as much in cold hard cash as you’d think.
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.