Next week, Martin Amis will publish Zone of Interest, a dark new novel that takes place, like his earlier Time’s Arrow, in Nazi-occupied lands during the Holocaust. In this week’s New Yorker, Joyce Carol Oates reviews the book, suggesting that Amis is most compelling when he writes as a “satiric vivisectionist.” You could also read our own Mark O’Connell on Lionel Asbo: State of England.
“I don’t know how to give more of myself than a poem. Every poem I write is more accurate than anything I can ever tweet about it: my interior life, and its struggle and desire to converse with the exterior world.” Tarfia Faizullah writes for Poetry‘s blog about why she doesn’t want to explain her poems, the power of breath, and the frustrating implications of the question, “did it happen to you?”
Chekhov never published an autobiography, but he did once write a letter in which, in Chekhovian fashion, he summed up his life in a paragraph. At The Paris Review Daily, you can read the Constance Garnett translation of this letter in full. You could also check out Brendan Mathews on reading Chekhov for self-improvement.
When you’re trying to keep up with the best new writers out there, it’s easy to forget the debt we owe to the classics. So let’s go back to the beginning: Why Homer Matters, a new book by Adam Nicholson on the father of all poets, explores the question of who Homer was, and whether or not he was even one person. You could also read Frank Kovarik on the parallels between The Odyssey and Toni Morrison’s Beloved.
Bill Clinton, at 65, has become the Blurber-in-Chief, an activist health convert who has enthusiastically endorsed three diet books: Eddie Shapes Up by Ed Koch, Think and Grow Thin by weight-loss coach Charles D’Angelo, and The Blood Sugar Solution: The UltraHealthy Program for Losing Weight, Preventing Disease, and Feeling Great Now, a new book by Dr. Mark Hyman. No more “Fat Elvis” jokes for Bill.