Chris Adrian’s The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally — as none of the editions favored by The Atavist’s young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
With Halloween a week away, The New York Times asked Ayana Mathis and Francine Prose about the “most terrifying” books they’ve read. Their choices? Roll of Thunder, Hear My Cry and Hans Christian Andersen‘s fairy tales. Pair their combined essays with Flavorwire‘s list of “50 of the Scariest Short Stories” and our own Ben Dooley‘s brief review of House of Leaves‘s “existential terror”.
Have you ever tweeted only to delete it a minute later after discovering a typo? Yes, even we aren’t immune. At The New Yorker, our own Mark O’Connell examines the public humiliation that follows after you tweet something regrettable. Pair with: Our piece on literary Twitter’s first tweets.
The International Writing Program at the University of Iowa is offering two seven-week online seminars free of charge this summer: Advanced Poetry and Poetry Masterclass. The seminars are intended for emerging and published poets, respectively, and they will be taught by Micah Bateman and Nick Twemlow. Anybody with an internet connection is allowed to apply, and applications are due May 8th.