Chris Adrian’s The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally — as none of the editions favored by The Atavist’s young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
Scientists confirmed recently that writers are more likely to struggle with mental illness (sometimes, as recently noted, due to syphilis). Since we’re so used to our alcoholic literary greats, and a smattering of suicidal ones (Plath, Woolf, Thompson, Wallace–and many more), this comes as no great surprise. On a happier note, a new study using fMRIs and MFA students has found that writers show different brain patterns than “normal people” just writing: in fact they resemble “expert” thinking patterns of all professionals doing what they’re best at–musicians, athletes, competitive Scrabble players. I don’t know if I’m happier to learn the fMRIs found no gaping black holes, or that MFAs do in fact teach you something.
This week we have new on shelves: Julie Orringer’s hotly anticipated debut novel The Invisible Bridge; Meghan Daum’s memoir of real estate addiction Life Would Be Perfect If I Lived in That House, Private Life by Jane Smiley, and The Singer’s Gun by our own Emily St. John Mandel.
Bill Gates is the founder of Microsoft, a billionaire, a philanthropist, and an amateur book club leader. He posted his summer reading list on his website, The Gates Notes. You won’t find any beach reads because Gates prefers nonfiction such as However Long the Night: Molly Melching’s Journey to Help Millions of African Women and Girls and The World Until Yesterday: What Can We Learn From Traditional Societies?. You can read the latter along with him.
“Dr. Kristin M. Barton is seeking proposals for an edited volume … which will explore Arrested Development from a scholarly perspective,” reads a call for submissions on H-Net. I can see the titles of these essays now. Can’t you? “Desperation Economics: There’s Always Money in the Banana Stand” or “I Don’t Know What I Was Expecting: An Exploration of Dead Doves and Tragicomedy.”