Add this to the list of incredible things you didn’t know you needed until now. At Quartz, Jenni Avins reads through a selection of hand-typed book reviews, found in the NYPL’s archives, in which librarians tear apart children’s books they find objectionable. Sample quote, from a review of Green Eggs and Ham: “There must be better ways of teaching a child to read than this.”
What is the greatest crime in literary history? Depending on who you ask, it was probably the burning of Byron’s memoirs. Shortly after his death, three of Byron’s closest friends, along with a few attorneys representing family interests, decided that the memoirs were too scandalous to publish and thus tossed them bit by bit into a fireplace. They claim to have been acting in his best interest, and, as Byron himself said, “There is no instinct like that of the heart.”
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.